• Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES

Elliott Dunstan

  • Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES
  • GIQ Character Profiles: Jaylie Braithwaite

    February 23rd, 2020

    JAYLIE BRAITHWAITE

    About:

    Birthday: June 21st, 1998
    Location: Ottawa, Canada
    Currently Listening To: FKA Twigs “Fallen Alien”

    Interests:

    Favourite Movies: Snowpiercer (2014), Suspiria (1977), Vertigo (1958), Pan’s Labyrinth (2006), Eraserhead (1977), Donnie Darko (2001)

    Favourite Books: John Dies At The End – David Wong, House Of Leaves – Mark Z. Danielewski, Magyk – Angie Sage, Bleeding Violet – Dia Reeves, Miss Peregrine’s Home For Peculiar Children – Ransom Riggs, Night Circus – Erin Morgenstern, A History of Glitter and Blood – Hannah Moskowitz

    Favourite Musicians: FKA Twigs, Emilie Autumn, Regina Spektor, Shiina Ringo, Tori Amos, Lights, Lindsey Stirling

    Favourite TV Shows: Hannibal, Dexter, Orange is the New Black, The 100, Carmilla

    Other: Welcome to Nightvale, Alice Isn’t Dead, The SCP Foundation, Jenna Marbles

    About Me;

    Hi, I’m Jaylie, aspiring fashion designer and actress. If you’re a Hollywood talent scout, STOP! My professional page is <i’ll get to this later>.

    If you’re anybody else, welcome, if you call me Jay or Lee I will shank you. I’m kidding. Maybe. Seriously don’t do it. Also please don’t ask me what my real name is. It sucks and is boring, why would you subject yourself to it.

    I post my patterns and stuff here! No stealing or I will send the internet police after you. not a real thing? maybe, but do you want to risk it over a lolita dress design?

    questions about whether or not i am a “real girl” will be summarily deleted. (if you like videogames hmu but PLEASE there is a reason i don’t post about them anymore!!! #gamergatefuckoffforever)

    my pronouns are she/her, i’m cis and straight but don’t hold it against me lol. i ship femslash but it’s just because i think they’re cute together, no other reason! (shipping clexa doesn’t make you gay, it makes you NOT BLIND LMAO) het ships are ew unless the boy actually washes himself and/or has a hobby other than being Manly In The Corner. (or if he’s bi ig?)

    Commission details are <i’ll get to this later>

    Jaylie Braithwaite is a fictional character, belonging to Ghosts in Quicksilver and the Alkimia Fables universe. Read Ghosts in Quicksilver here! 

     

  • The Gremlin’s Library: Gods of Jade and Shadow

    February 20th, 2020

    Anybody who knows me knows that I am a SUCKER for mythology. Irish, Viking, Yoruba, West African… Anything with a mythic bent and a folkloric eye is pretty much automatically my favourite. So when Silvia Moreno-Garcia announced her Gods of Jade and Shadow as a Mayan fairytale, I was sold. Unfortunately I apparently wasn’t the only one – it took six months on hold at the library for me to get it! Entertainingly enough, I then finished it in two days.

    The final verdict? Gods of Jade and Shadow is incredible. Set in the 1920s, Gods follows Casiopeia Tun, unwanted granddaughter of a rich man, as she accidentally frees the Mayan god of death from his prison and accompanies him on a quest to restore his power. She isn’t given much choice – due to an unfortunately lodged bone fragment, she’s what is keeping him alive – but she’s been wanting an adventure anyway, away from her horrid grandfather and her childish, sexist cousin.

    Before starting this book, I wasn’t familiar with much of Mayan folklore except what I’d picked up from other Mexican and Mexican-inspired media – Xibalba is a name I know from Road to El Dorado, Book Of Life, etc. and I’m vaguely familiar with Kukulkan, the feathered serpent. Hun-Kamé and Vucub-Kamé, however, are completely new to me – and I’ve fallen deeply in love with them. This is partly because of the rich complexity and darkness of Mayan mythology – think bright colours and mythic logic with deeply Gothic sensibilities – and partly because of the poetic prowess of Moreno-Garcia’s writing. Reading Gods of Jade and Shadow is like listening to a storyteller or watching theater; it’s deeply visual, pulling the reader along with inexorable force.

    Possibly the most surprising part for me was how much I found myself invested in love stories. People familiar with my reviews know how hard it is for me to appreciate love stories – I’m both aromantic and romantically traumatized, so when Casiopeia and Hun-Kamé began to fall in love, I was concerned. Before long, though, I felt it – and even more, I felt the sorrow along with the romance. Normally, I can’t get invested in love stories because they feel too much like wish-fulfillment or contrived coincidences (which work for some people but not for me), but this one just…clicked.

    Gods of Jade and Shadow is absolutely, absolutely worth your read. Moreno-Garcia is a hell of a storyteller, and I’ll be reading more of her work the moment I get the opportunity. The book is available for purchase through Penguin Random House, and probably many of your local bookstores!

  • “Year T.” – a poem

    February 20th, 2020

    this poem deals with medical gatekeeping, transphobia (incl. internalized) and dysphoria, from a transmasculine perspective. it also touches on mental illness, hospitalization and relationship abuse. 

     

    year one-

    you fumble with, stumble over
    the words, the letters, the lines
    the genderbread drawings and
    new permissions –
    “you could be a boy, if
    you really wanted to-”
    if you wanted to enough.
    you make bold declarations, fold them back
    you try again, no one believes you
    you wonder if you just
    imagined it-
    or if you just dreamed saying anything at all.

    year two-

    your boyfriend (your girlfriend)
    used to promise you
    that you’d transition together.
    silly little dreams.
    move out, get an apartment
    open the bedroom doors each day
    to see what changes had been wrought
    in your opposing physiologies
    your eroding landscapes.
    your ex-girlfriend, the ex- part still doesn’t
    feel right, or real, or genuine
    (nobody ever taught you how to
    move on from firsts, or
    be a person, or
    be a past)
    she’s gone, gone, gone
    the girl she is now has forgotten you.

    year three-

    you run away and don’t call it running away.
    maybe if you change your name
    and move to another city
    and don’t talk to anybody you knew
    and pretend that you’re Normal –
    maybe this will all go away.
    maybe you won’t have to be this anymore.
    maybe you’ll know how to be a girl.
    (maybe you’ll learn how to be a boy.)

    year four-

    you’re back
    with your tail between your legs
    with a bruise upon your heart
    pressing the stopwatch once again
    on yet another fresh new start.

    year five –

    the name has started to fit but
    the clothes don’t, and neither does
    the silence at home that stretches
    around the absence of gender.
    you live a double life.
    mostly so as not to force the issue
    but sometimes you want to-
    just so that your throat will stop burning.

    year six-

    you got a house and a boyfriend
    you pretend he doesn’t slip on the important words
    when he thinks you aren’t paying attention
    you pretend he doesn’t think “trans boys are hot”
    because it’s nice to be wanted, after all
    you pretend he isn’t using your credit card –
    or that it’s short-term, at least
    you pretend he’s here only because he loves you.
    everybody wants to be loved
    and you pretend you’re here because you love him
    and not because you need something to hold on to.

    year seven-

    three, or four, or five overdoses later
    when they’ve asked you your Preferred Name like its
    a nickname on a radio show
    and keep calling you a girl anyway-

    why do they do that?

    anyway, after you’ve tried and failed to get it over with
    you wonder,
    huh,
    maybe this is dysphoria.
    (the floor lurches after you think that, which could
    be a sign that you’re right, you’re right, oh god,
    or that the sedative they gave you is
    finally kicking in-)

    year eight-

    you’re too busy recovering
    to worry about little irrelevant things like
    gender, or
    the core of your identity, or
    hating everything yourself.
    you’ll get to that later.
    (it’s fine, it’s fine, it’s fine
    treading water because you’re coping
    scooping handfuls of suppressed panic
    through the drowning gulps of your self-possession
    sonar hiding in suspiria
    there to hear, if anybody were listening.)

    year nine-

    you’re too busy recovering
    not to notice
    how you stand a little taller
    how your back’s a little straighter
    how your eyes glow a little brighter
    every time somebody gets it right.
    “alright,” you say, “alright,”
    “if it’s as easy as you promised”
    it’s more than just the words, the lines, the letters
    more than some clumsy genderbread drawing
    that you’re sketching in desperation
    to explain a feeling that makes no more sense to you
    than to your parents or your friends;
    this time, this time, this time,
    you won’t fold it back or hesitate.
    (if only, if only,
    you really felt this brave.)

    year ten-

    year ten.
    a medical appointment a decade in waiting
    you list out all the things that are wrong with you
    if something will disqualify you, you’d rather
    know ahead of time
    no nasty surprises
    no roadblocks
    you’re going to put it all upfront.
    you’re holding your breath and hoping
    that nothing will come up – and it doesn’t –
    but even after all this time, it’s here
    in the one place you don’t expect it-
    they ask you your Preferred Name like its
    a handle on a game show
    and call you a girl anyway.

    year ten in waiting. and part of you
    (so much of you)
    just wants to run away.

    (you’ll come back –
    but maybe if you’d been braver,
    or more certain
    or smarter
    or stronger
    you would have been here sooner
    and all that Girl and She and Wrongness
    wouldn’t be trapped upon your face.)

  • First Chapter Thoughts: Dead Astronauts by Jeff Vandermeer

    February 17th, 2020

    I loved Borne, and I’ve been slowly falling in love with Vandermeer’s prose through his short stories elsewhere, but I have to admit. I’m not sure what to make of this one. Dead Astronauts is set in the same universe as Borne, with different characters, but while it has some of the familiar strangeness, it’s automatically a much odder novel.

    I don’t really know how to describe the prelude and first chapter. The blue fox definitely interests me – a strange being that calls all the other foxes after him – and then come the three, I suppose, titular dead astronauts? They’re not immediately characterized as more than not-quite human wanderers, but I sense timefuckery in this book already.

    All I know is that this is going to be a mushroom samba, and I am hesitant – but ready.

  • Ghosts in Quicksilver: Interlude Two: Wechselbalg

    February 15th, 2020

    tw: child endangerment, parental death/sickness

    Long ago, when you were still an infant, our mother took sick. She had been unwell for a long time, but this sickness stole the colour from her cheeks and the breath from her lungs. Our father took her to the village in hopes for a cure, but to no avail. She died soon after.

    But during that time, I was given the responsibility of watching over the household—and you, little sister. You were not even a year old, making the sounds of the river and the wind instead of words. We had not yet named you, because it would attract the faeries’ attention—but I, foolish child that I was, began calling you a nickname of my own.

    The first day I began to think of you with your name, I kept my mouth shut. The second day, I nearly slipped—but only the first sound escaped my lips, and when I picked you up and held you, you were safe. The third day alone, however, I awoke and looked upon you, and my lips and tongue betrayed me.

    At the sound of your name, the west wind blew the shutters open, and burst into the house with its wild fury. It blew me down, and when I arose, you were silent. No more stream-burbling came from your mouth—you lay so silent and watchful that you might have been an owl, or the moon and sun trapped behind a pair of wide eyes.

    I knew, then, that you were gone. The little people who ride upon the wind had taken you from me and left a stranger in your place. At first, I tried to ignore it. But your name burned inside me, bright as an ember, fierce as a flame.

    I could not leave you there among the faeries, little sister. So I went out to the well, the water silent and still below, and dropped an acorn into its depth, and spoke out the name—Frau Holle, Frau Holle, Frau Holle. I waited, and as the sun set, she emerged from the dark water with her hair dripping and white dress all spread about her.

    “Why do you cry out so, little one?” she asked me. “All maidens and all infants are under my purview, but your thread has not ended, and nor has your sister’s.”

    “I am blessed to hear this,” I replied, “for the faeries have taken her from me.” I told her of the stranger in my house, fearing all the while that I was wrong and a fool. But when I was done, she nodded with a somber look upon her face.

    “They have traded one of their children for yours. It is not uncommon—but it is not a fair trade, for the being in your house will go back to her home in time. This world’s air is not as easy to breathe for faerie children.”

    “So why do it?”

    “I could lie and tell you that it is out of some natural capriciousness or evil. That answer would sit more easily with you, I think. But lying is not the same as spinning a tale, and men and fae alike make terrible decisions motivated by what they cannot possess.”

    I took in her words, then gathered the courage to ask my next question. “Can I win her back?”

    “Yes. But you shall have to be very brave.”

    I accepted that. I loved you already, enough to trade the breath from my lungs for you.

    I came back to the house, and the stranger stared at me from her crib as I took six eggs from my basket, plucked from the coop outside. I cracked the eggs and set the whites and yolks aside; then I set the eggshells as neatly along the fire as I could, and began to brew tea within them.

    “I have seen many things already in my years,” came the laugh from behind me all of a sudden. “But never have I seen somebody brew tea in eggshells!”

    I turned around to where the changeling sat up in her crib. Once she realized what she had done, she dropped her disguise; antlers sprouted from her brow, and her hair turned to leaves, before she vanished completely, back from whence she came. And—though you will not believe me—she almost looked relieved.

    Then the wind screamed through the chimney. Ash filled the cottage. I shielded my eyes, and when I lowered my arm, a great king stood before me. He had the head of a stag, but with an old man 

    “You have done a careless thing,” he growled in a thunderous voice. “Ancient rules govern our worlds, and I cannot allow them to be broken.”

    My voice fled me at first. Then I remembered what Frau Holle had told me to do. Be brave.

    “Then you shouldn’t have taken my sister!”

    He paused, startled. “Our ways are beyond your ken and your concern.”

    “She’s my sister. She doesn’t belong to you.”

    Something like a smile spread across his animal features. “Nobly said, Guthrun daughter of Mariwig. But know you not who stands before you? I am Oberon Erl-King, Father Death, ruler of the wisps and bog-faeries, the goblins and the dwarves who sleep far below the sun’s reach. Would you set yourself against me, child? For to challenge me is to challenge the Court of the Unfortunate and all of its denizens.”

    I confess, dear sister, my courage nearly failed me. I was no older than you are now, a girl with no power except the strength of her fists and the fire of her soul. I wish I could tell you that I was determined enough to never question myself, or never consider letting you go. It was the memory of your name on my lips, spoken only the once and that much the sweeter, that steeled me.

    “My will is strong as yours, Erl King, and I am no subject of yours. I am no wisp or bog-faerie, nor any goblin nor dwarf. My kingdom is here, among the light and living. And so is hers. Give her back.”

    Then I spoke your name and reached my arms out to you. Your eyes opened, the enchantment upon you falling away—and the Erl King only smiled some more, and let you return to me. You lay in my arms, gazing up at me with eyes as blue as sky, eyes just as blue as mine, and I swore I would never let you go again.

    My dearest Johanna.

    I hope you understand, now, why you must allow me this. Allow me this—and let me go.

    <–Previous Chapter                                                                                                                       Next Chapter –>

     

←Previous Page
1 … 34 35 36 37 38 … 62
Next Page→

Start a Blog at WordPress.com.

  • Subscribe Subscribed
    • Elliott Dunstan
    • Join 167 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Elliott Dunstan
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar