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Elliott Dunstan

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  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
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  • The Gremlin’s Library: Legendary X-Knights Issue #1 by Bijhan Agha & Swaptrap

    March 4th, 2025

    As previously mentioned in my review of Kaspall, I love comics…but I’ve never really managed to get into the traditional model. That means when it comes to superhero comics (as opposed to movies or TV) my knowledge is woefully lacking. So this fun comic is something new for me, especially since – based on my cultural touchstones – it’s not just a superhero comic but a sentai comic.

    Legendary X-Knights is a project by Jamsheed Studios, an international indie comics collective based in Uruguay, written by Bijhan Agha and illustrated by Swaptrap. Based equally on classic Jack Kirby and Power Rangers/TMNT, the story features three teenagers with attitude — sorry, they’re actually very much not teenagers. Three queers receiving messages from the future as they’re brought together to fight vampire assassins! I feel like I need some funky WordArt for that or something. Something suitably dramatic.

    All of this is said with a bit of teasing, but genuinely: the sincere pulpiness of X-Knights and the (so far) lack of snarky self-awareness is actually really refreshing. Even as someone who enjoys the odd episode of Venture Bros and Q-Force, it gets old after a while to have every trope lampshaded and everything followed up by a quip. I’m not sure if this is for me, but I’m glad it exists, and I’m very curious to see where it goes.

    Favourite moment in issue one: Part of me initially cringed when they traded pronouns right on meeting. And I’ve actually been sitting with that, because… I do that in real life. That’s a genuine, every day exchange for me with fellow queers. So it’s now a top moment for me, not just cause I’m glad it’s in there, but because it’s forcing me to re-examine some of my internalized biases that I clearly still have!

    To learn more about Jamsheed Studios, check them out here.

    If you’d like to support me and my work, please check out my SubscribeStar!

  • Little Free Archive: Kaspall by Lucy Lyall

    February 19th, 2025

    I love webcomics. I don’t read as many as I used to – but I still keep up with six or seven, not including xkcd, SMBC or Cyanide and Happiness. It doesn’t seem to matter the format or genre, either; it’s just the nature of a digitally-published (digital native, in digital humanities terms) comic. More and more though, I struggle to find long-runners that can keep my interest and that haven’t been abandoned or put on a long, vague hiatus. Some of this is the sheer amount I’ve already read or tried; some of it is that a lot of webcomics just…never get finished.

    That makes Kaspall a very, very special creature. Started in 2004 and completed in 2015, Kaspall is a strange entity in the webcomic world – part anthro comic but with a significant number of human characters. That’s because Kaspall itself is a city of portals – ‘off-worlders’ fly or walk or fall into the wild gates seemingly at random and end up in Kaspall. Every so often, but rarely, someone from Kaspall will disappear — but for off-worlders, there’s no way home. This allows for a fun combination of tropes – Sam, misanthrope and cranky asshole human, has a bionic eye that keeps bugging him for upgrades and comes from somewhere where the only food were “NutriCubes”. Another off-worlder is a dragon who chews on coal and tries (badly and drunkenly) to teach Sam how to fly.

    Part of what sells this clash of cultures so well is Lyall’s incredibly expressive black-and-white art style. Kaspall is a dense, urbanized throng of moles, rats, badgers, squirrels, rabbits, dragons, tentacled aliens, all existing in close proximity, all interacting with and bouncing off of each other’s cultures and traditions. There’s places like Coneywarren where the rabbits live in a culturally polygamous society, and the zone of the Separated, an anti-magic, low-empathy group, and the Skyways, strung out above the city on boardwalks and rope bridges. All of this – and every other world besides – is held together by the Skein, the dreamworld. This is a fantastic amount of worldbuilding to fit into a comic that, by the way, is 464 pages. That’s not a lot! And then there’s the contrast between the richly detailed main story, and the strange, almost coloring-book styled interludes…

    If I have any one complaint about Kaspall it’s that I wish it was bolder with its queer themes, but I’m also thrilled that they’re there at all. The Captain is deliberately non-binary/ungendered, and the polyamory of the rabbits is mostly a joke but also quite charming. Caroline and Claudia keep feeling about a second away from kissing, and one wonders if, had Lyall started writing this a few years later, she’d have gone about it differently; but that might also be wishful thinking on my part. Sometimes writers/artists are just straight.

    Kaspall can be read in its entirety over here: https://www.kaspall.com/pagelist. Watch out for Avast and other antiviruses giving false-positives on its host site Spiderforest – as far as I’ve been able to tell there’s no issues, just something being marked as ‘suspicious’ when it shouldn’t be.

    If you’d like to support my work, check out my SubscribeStar! For $5 a month, you get my posts 48 hours early, and one exclusive post per month.

  • The Gremlin’s Library: Crazy / Mad by AJ Dolman

    February 11th, 2025

    TW: The book and, to a lesser extent, this review discuss themes of filicide (child murder), self-harm, child abuse, mental illness, ableism, anti-Indigenous racism, colonialism and misogyny.

    AJ Dolman is an author I’m quite honored to have met in person a few times; they and I are both members of the underrated Ottawa literary/poetry community, and I bought this book at VerseFest last year when she was reading from it. Of course, like almost every book nerd I know, I’ve got a TBR longer than the St. Lawrence; but I wanted to start off 2025 with a bang. (Plus, every year, I try to reaffirm my commitment to indie and queer-authored creative works; this year I’m trying to make sure at least 80% of what I review is independently published, queer or both.)

    First of all, Dolman is an absolute genius with wordplay. Crazy / Mad is written from an explicitly neurodivergent perspective (I believe ADHD + bipolar, but I heavily suspect I’m projecting, so don’t take that as any sort of actual commentary or factual input!) and the way free association, deliberately unresolved sentences and redefining terms are used, especially in poems like “Atheism”, is stunning.

    Your the isn’t
    my the is the
    only the that stands
    before hiss and hearse
    –Atheism, pg 5, AJ Dolman

    This also makes these poems a sensory delight to read out loud. Even ones where I’m fairly certain I’m missing quite a lot of either personal or historical context (“Somatic indicators” and “Memory loss” are the two most potent examples for me) are such vivid, fascinating images that I don’t really feel like I’m missing out; I’m deeply curious about their story, but it’s just as engaging to fill in that gap and wonder about it in between words that are so carefully and precisely chosen.

    The pacing of this book is also excellent. The more I venture into longer-form poetry and poetry book creation, the more I appreciate how difficult it is to keep a balance of tones; trying to keep thematic consistency without having your reader tap out. Dolman’s poems never linger too much on the same territory for too long. Once there’s a few about communication, then it’s about sexuality and longing; then there’s one about a real murder (Andrea Yates was one I had to Google, especially with the foreboding of the poem, but I almost feel like I could have guessed a lot of what I read from the poem itself. Now that’s good writing.) and another about a member of the French Resistance. There’s humor both light-hearted (quotes from their son) and darker (the absolutely devastating read of Canada that is “Delusions of grandeur”). Just when I was starting to feel like I needed to put it down for a break, I was finished; and I’m someone with a much heavier stamina for poetry than most people, which makes this the perfect size for someone who wants to pick up and put down a book a few times but not get completely sidetracked before finishing it.

    If you’re interested in getting a copy of Crazy / Mad, you can get a paperback here; or you can follow AJ Dolman on Instagram or their blog!

    My Patreon is currently rotting somewhere in the digital wasteland, getting pecked to death by cybervultures. If you’d like to support me, check out my shiny new SubscribeStar! You’ll get all my posts 48 hours early, and an exclusive extra post every month. For February, I’ll be talking about my relationship with poetry and why I call it my “first language”.

  • Self-Taught Latin: Intro to Latin, Part 1

    February 4th, 2025

    After a lot of hemming and hawing, I’m finally preparing myself to reapply to grad school — something I’ve been thinking about for years, but still felt cautious about. As preparation before I actually pull the trigger, however, I’m brushing up on my languages. In this particular case, I’m starting with the set of three ancient languages any historian has at least a modest acquaintance with – Latin, Ancient Greek and Anglo-Saxon/Old English.

    I’ve taken classes on all three of these before, but never gotten to what I’d call a reading knowledge. Many people, however, never get the opportunity. Which is a shame, because it’s not as hard as you think! For the time being, I’m going to set aside the questions of ‘why bother’ and suchlike; there’s lots of reasons, but many people have also previously answered them. And besides… why not? So as I refamiliarize myself with Latin, Ancient Greek and Anglo-Saxon/OE, I’ll be posting about it and giving the basics to anybody else who’s curious to know, and never had the benefit of exposure.

    So, where do we start?

    Nominative, Genitive, Dative…What?

    Chances are if you’ve ever tried to look up Latin before, you’ve been assailed by all sorts of words you don’t understand. One attempt at understanding a Latin verb throttles you with all sorts of three and four syllable words like ‘nominative’ and ‘declension’… and they’re supposed to be English. It’s not a great way to start, is the point.

    Unfortunately, in learning any ancient language, you do have to know the terms. But the good news is, they’re less hard than you imagine. So here’s some of the basic grammar terms, followed by some historical ones useful for context.

    • Cases

    In an English sentence, the order you put things in matters. The subject comes first; then the verb; then the object. I make dinner, I eat dinner. If you were to put dinner first, you would have to change the words you used. Dinner make(s) me has a different meaning — you have to say ‘dinner is made by me’ to confer the same basic meaning and intent. But in Latin (and many, many other languages) the word itself changes depending on whether it’s the subject or object. English only does this a little bit; it’s grammatically incorrect to say ‘Me make dinner’ or ‘Dinner is made by I’. We intuitively know as fluent English speakers [n.b. I’m certainly making an assumption about my readers, but work with me] that ‘I’ is used for the subject, and ‘me’ is used for the object. When providing pronouns in bios or supplying them when requested, it’s habit for those of us who do so to go “she/her/hers” or “he/him” or “they/them” as necessary; those are cases.

    • Nominative (nom like name in French, or nomina like in nominate; looking for roots will come in handy in Latin, so look for connections between words!)

    The nominative case is the subject case – the ‘I’, the ‘she’, the ‘he’, the ‘they’, etc. It’s the basic form of all nouns when provided in Latin, so you’ll almost always know the nominative form of anything. I’m using Wheelock’s Latin, so let’s use ‘porta’ (gate) as our example word. ‘Porta’ is a first declension noun, and feminine in gender; I’ll explain those after our cases, but for now all you need to know is that those are further ways of categorizing.

    • Accusative (related, yes, to the word ‘accuse’, ‘accusatory’, etc.; maybe I’m the only one who finds this funny, but comes from a mistranslation of a Greek word – αἰτιᾱτική (aitiātikḗ), or ‘expressing an effect’.)

    Despite the well, accusatory tone, the accusative is a very normal case. It’s the direct object! If you’re acting directly upon or towards an object — grammatically, to be clear — then it’s a direct object. Consider ‘I make dinner’ — dinner is a direct object. But ‘I take you to dinner’ is a sentence where ‘you’ is the direct object, and ‘dinner’ is indirect. For our Latin example, ‘porta’ becomes ‘portam’. ‘I close the gate’, for example, would use ‘portam’.

    • Genitive (a little harder to break down, but think of the root ‘gen’ and where you see it — genital, progeny, generation, etc. In this case, it’s a bit of an oblique relationship.)

    The genitive case is how Latin shows ownership. In English, the possessive apostrophe (Elliott’s blog) stands in for the longer term “the blog of Elliott”. That phrase, “of Elliott”, is instead captured in Latin by this case. In our example word, ‘porta’, it becomes ‘portae’; or literally, “of (a/the) gate”.

    • Dative (one where roots won’t actually help you; related to the Latin word for ‘giving’!)

    The dative case is the indirect object! (See the definition of the accusative’. For our Latin example, it’s ‘portae’ again — an exact double of the genitive, so context matters. The dative is also sometimes used with certain prepositions, which you’ll learn as you go.

    • Ablative

    (I’ve got nothing for the roots of this one.) Ablative case is probably the most complicated. The cases above all have direct English translations; they’re easy enough to mark out as English concepts. Ablative case, on the other hand, is finicky, and best described as the ‘adverbial case’. Wheelock describes it as a case used to modify or limit the verb of a sentence by means (by/with what), agent (by/with whom?), accompaniment, (with whom?), manner (how?), place (where?/from which?), and time (when?). If you’re someone for whom adverbs are familiar, this may come more easily. If this is making your head hurt, don’t worry. Learn the cases as you learn the grammar, and the full understanding will come in time. The most important thing to know is that the ablative case is another form of indirect object. In our Latin example, the ablative is portā — the macron (line) over the a is important as a manner of distinguishing it.

    • Vocative (as in vocal, voice, etc.)

    Vocative case is something you learn with your grammar for the purposes of recognizing it when you see it — but you’re rarely going to use it, and it’s not difficult or particularly common outside of specific contexts like prayer, poetry or direct address. That’s exactly what it is — it’s a way of addressing or calling on a person or thing directly. The vocative is usually identical to the nominative, and generally preceded with ‘O’. In our Latin example, it’s ‘porta’ again – so ‘O, porta!’ would be ‘Oh, gate!’ A little silly, but sometimes that’s the point of it. (Ancient Roman comedy is very silly sometimes.)

    • Declension

    When you’re given the cases for a noun, it’s called declining a noun. It has nothing to do with the rise or fall of something — it’s just a term for breaking down every grammatical form of a noun specifically. (The verb version is conjugation.) A declension is a category of forms — for example, ‘porta’ is from what we call the ‘first declension’, because every word in that group follows a certain formula. Memorize it, and you’ll know how every first declension noun is declined.

    However, important proviso: Every grammar book and every resource has a specific order that they provide the cases to you in. Every one of them is slightly different. Here, I’ve given the cases to you in the order they make the most sense, but when memorizing cases, this is the most common and the version found in Wheelock’s Latin textbook.

    Nominative: porta
    Genitive: portae
    Dative: portae
    Accusative: portam
    Ablative: portā
    Vocative: porta

    And the plurals (you need the plurals as well!)

    Nominative: portae
    Genitive: portarum
    Dative: portis
    Accusative: portas
    Ablative: portis
    Vocative: portae

    If you’ve ever read an older book or seen something where kids were “reciting” forms of words in Latin, now you have the context!

    • Root

    So you have the ‘first declension’, but how do you take it from ‘porta’ to some other word? Easier than you think. First declension nouns will all have nominatives ending in a, as seen above. Everything that isn’t that is the root. Let’s take another noun — puella, or girl. You have the root, ‘puell-‘ and the stem ‘-a’. Once you do that, you can see that the case endings are actually just the stem.

    Nominative: -a
    Genitive: -ae
    Dative: -ae
    Accusative: -am
    Ablative: -ā
    Vocative: -a

    And so on, so forth. It doesn’t matter how long the word is. If it ends in -a and it’s a first declension noun, it will decline like this. And the reverse: if you see a noun that ends in -am and the context supports you, chances are it’s the direct object and you can translate it as such.

    So that’s a whole bunch of grammar concepts. To make your brain hurt a little less, here’s some historical concepts instead — instead of how Latin works, here’s some context for what we mean when we talk about Latin and different kinds of Latin.

    • Latin

    A broad term for the language spoken by the Romans (inhabitants of the province of Latium in Italy, capital of which was Rome itself), spread across the entire Roman empire, and adopted by the Catholic church. Latin is descended from Proto-Indo-European, a massive umbrella language we’ve only got reconstructed parts of and that also serves as ancestor to Ancient Greek, Old English, and languages as far off as Sanskrit. So here and there, there are passing resemblances to very, very strange things. Latin has also left its mark all over the world, leaving loanwords everywhere like a bad tourist.

    • Classical Latin

    What most people probably think of when they say Latin! Classical Latin is the Latin used by Ancient Roman scholars like Cicero, poets like Catullus, and other academics. The inscriptions on old sculpture are Classical Latin, as are the dedications of monuments. Classical Latin has certain rules of pronunciation and spelling that aren’t necessarily true of other forms — for example, ‘v’ doesn’t make a ‘v’ sound but generally stands in for a ‘u’. Many textbooks will already have substituted in a ‘u’, but if you see an errant V, it doesn’t belong there except to mean 5. J and W don’t exist as letters, and K, Y and Z were only rarely used, usually in Greek loanwords. (C is always hard; never soft. It’s Kikero, not Sisero, for example.)

    • Ecclesiastical Latin

    The Latin you’ll have encountered if you’re a Catholic (or, sometimes, Anglican). Ecclesiastical Latin is the language used for high prayer and Catholic services, and reflects changes in the language’s use — for example, Ecclesiastical Latin will use the ‘v’ sound more, reflecting how the languages around it took on those sounds.

    • Vulgar Latin

    The Latin of the common people! While we don’t have that many examples of Vulgar Latin, it doesn’t mean rude Latin — it’s just a funny coincidence that many of our examples are actually rude and naughty graffiti from the walls of places like Pompeii, because that’s where it was preserved. Vulgar Latin is also what actually evolved into the Romance languages — Spanish, French, Romanian and Italian — and provides the ‘missing link’ between Latin and those. It likely had simpler grammar, and definitely used slang that isn’t preserved in the highly formalized texts that have been passed down.

    • Pig Latin

    Not related to other forms of Latin. Can be considered a false cognate.

    Thanks for checking in, and next entry will be about verb conjugations! If you want to support me, check out my SubscribeStar in the wake of the death of my Patreon.

  • The Gremlin’s Library: Secrets Inside Cabling by Calliope Neurotoxin

    January 28th, 2025

    TW: The zine being reviewed, and to a lesser extent the review itself, features themes of self-harm, self-mutilation, extremely creative violence, post-apocalypse civilization, and — mostly metaphorically – gender dysphoria. Also drug use, child abuse and mass death.

    Have I told you lately I really love horror? Has it come up enough that I really really love horror? I think I’ve been too normal about it. Good news! This will change because I am about to be EXTREMELY NOT NORMAL about ‘Secrets Inside Cabling’ by Calliope Neurotoxin. This is another zine from WBMC (Wiggle Bird Mailing Club), which seems to be hitting nothing but perfect strikes. Literally the only reason I’m currently unsubscribed is because Patreon and the gods hate me, and it means I’m MISSING OUT on the December zine. Everything is terrible.

    Anyway, ‘Secrets Inside Cabling’ is a litzine — a short story wrapped inside a zine, in unfortunately-small font (such is the joy of zine-making, I guess). It’s partly illustrated, and about humanity’s attempt to build a “physical god”, then promptly abandoned in low Earth orbit. The Earth here is a devastated wreck of its former self, and all the space technology is a wreck, too; we’re far enough in the future that even the promised future has come and gone. It’s a gutwrenching setting that inspires a kind of existential depression — we are, it seems, at the end of everything.

    I won’t say much more than that, because honestly, this zine is a fucking experience and I don’t want to take that away from you. It’s gory, nauseating, and horrifying in both the little details (it’s important to dig. dig through, and for, what? you’ll find out.) and its broader storytelling (the idea of breeding pilots for the purposes of flying Something isn’t new, but that’s part of what makes the sparseness so good — we can fill in certain dots, and others take us by surprise). The violence isn’t just violent, but refreshingly so; there’s no mundane gun violence or run-of-the-mill sexual assault here. No, we’re talking acid dissolution and brain spikes, cocaine grown from mold and more — all in, I really must stress, a 20-page zine short story. Unbelievable. Calliope Neurotoxin, when you write a full length novel or game or short story collection, I will be at the door on release day Fry-style going “SHUT UP AND TAKE MY MONEY”.

    Anyway. If you want to buy the zine, even after its specialized release on WBMC, you can buy it here! To sign up for Wiggle Bird Mailing Club, check them out on Patreon over here.

    If you’d like to support me, my Patreon has died a bloodcurdling death in the fires of incompetence (not mine) but you can support me on SubscribeStar! You get all my columns 48 hours early and one bonus column per month – this month, I’m reviewing Night in The Woods as the loser who got there seven years late.

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