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Elliott Dunstan

  • Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES
  • Review: Ottawa Arts Review Vol 2.2 (2008)

    January 8th, 2019

    One of the things I’ve always been bad at is reading arts journals – I love them, I adore them, but I can never seem to keep up with actually reading them. Part of my 2019 goal is to read all the ones I’ve accumulated, and my first breach into this experiment has been a pleasant surprise.

    Ottawa Arts Review is the literary magazine associated with the University of Ottawa; this particular volume, however, is a back issue I picked up at the Small Press Fair. It’s weird to grasp that a journal from 2008 is ten years old, but I lucked out and got the very last copy available! Which means, unfortunately, unlike most reviews, I can’t coax you into buying it.

    The journal is a collection of art and poetry, both of which are phenomenal. While the journal doesn’t seem to be actively themed, nevertheless, it manages to sustain an Alice-in-Wonderland, half-surreal, half-contemporary atmosphere. Probably the best example of that is the short poem ‘Steam’ by Dawn DiBartolo.

    i was swallowed
    by the black well
    several days ago,
    surrounded and
    drowning slowly
    in cement tears.

    -no. 28

    It’s a poem about depression, concrete and the cityscape – set alongside an art piece titled ‘Hookah-Smoking Caterpillar’ by Kyle Brownrigg. There’s poetry about skinny jeans, about the Rideau Canal, and possibly my favourite of all: Lara Stokes’ prose poem ‘Terrors’.

    in the dream the house is empty and just the way we left it and
    we’re returning because it’s home, because we liked the big
    backyard and I still know my way in the dark but I can’t find my
    family and the windows are boarded shut and the doors are all
    open but I check behind them anyways and sometimes the doors
    fly shut and sometimes they lock and sometimes I am stuck in
    there, screaming, and no one can hear me

    -no. 57

    Of particular note are two sets of poems that are direct mirrors of each other; ‘Skinny Jeans’ by Andrew Faulkner and ‘Skinny Jesus’ by Joe Hickey are opposite of each other as numbers 36 and 37 respectively, and on the next pagespread, ‘All cloudy’ by Faulkner and ‘All too clear’ mirror each other again. The latter two are an ode to the downtown milieu, rubber cement, smoke in the stairwell, fire exits, crumbling concrete.

    Overall, reading OAR’s 2008 issue is a fascinating window into the Ottawa poetry and arts scene; even though I live here, looking ten years back puts into perspective how much the snow and concrete are parts of our poetic milieu, along with the situational depression of ‘Generation Screwed’ and the sense that somewhere along the way, we took the wrong turn. It’s a beautiful piece of work, and it is really tragic that no more are being printed.

    However, many of the poets inside are still active. Rob McLennan is the mind behind above/ground press and the Ottawa Small Press Fair; Lara Stokes runs the blog Across the Bar, and Catriona Wright has a short story and poetry collection of her own, as well as editing for the Puritan. 

     

  • Ghosts in Quicksilver: Chapter Nineteen: Honour the Dead

    January 1st, 2019

    Chapter 19 image edited

    Thank you to J. Deo (@JDeoWrites) for the wonderful sensitivity reading on this chapter! I am not Sikh and most of the description of the funeral is their work. 

    TW: religion, death/grief, reality distortion, attack on/near a place of worship

    “Are you sure this is alright?” I asked, for the third time that night.

    Will scoffed, adjusting my collar with a focused expression. “No reason it wouldn’t be. You gotta relax.”

    “I just – how do I explain to people how I knew him?”

    “Would you stop moving? I haven’t tied a tie in four years-”

    “You don’t have to,” Isaiah said from the other end of the room, fixing the buttons on his white shirt in the mirror. “You’ve never been to a Sikh temple, have you?”

    “I’ve never even been to a church. I don’t think either of you understand how staggeringly out of my depth I am here,” I complained. I knew I was being whiny, but it was that or find something else to take out my problems on.

    “You’re the one who wanted to go,” Will shot back, tossing her hair over her shoulder and still fiddling with some of my hair to make it lie flat. I’d already told her her efforts were wasted, but she was apparently just as stubborn as I was. “I’m just as happy not to. I feel like I’d probably burst into flames once I crossed the threshold.”

    Isaiah rolled his eyes. “Sikhism isn’t like that. Everyone’s welcome here, that’s kind of their whole thing.And as far as trans stuff goes, this temple’s pretty good.”

    “You’ve also been read as a dude for what, fifteen years? I still have to shave every day and quite aside from that, I dress like a skank.” Will caught my worried expression and snickered. “A cute, feminist skank. Is that better?” Then she shrugged. “I dress nice, I get read as a guy.”

    I couldn’t imagine that somehow, but I supposed I’d just gotten used to it. I’d had a few trans friends in school, most of them closeted, and I could appreciate Will’s wariness. Still, I wished it wasn’t just me and Isaiah. The realization that we were the only two Salts left in Ottawa was starting to sink in. I hadn’t been asked to stabilize anybody yet, but I imagined it was just a matter of time, as terrifying as the prospect was.

    “You haven’t stolen my phone again, have you?”

    “-go to hell,” I snarled, then felt myself turning pink at her grin. Okay, that had helped. I pulled my own phone out, waggling it vaguely in her direction. “I have my own thanks.”

    Isaiah cleared his throat. “If you’re done flirting?”

    “Not flirting,” I grouched. “Fine, let’s get going.”

    I glanced in the mirror, double-checking my outfit one last time. The dress shirt and jacket was a bit big on me, and despite Will’s insistence I thought the tie was kind of overkill, but the slacks fit well enough. I couldn’t shake the discomfort over not having my denim jacket, but after one attempt to put it on, Will had fixed me with such a withering glare that I thought I might burst into flames.

    As it turned out, though, the Sikh temple was refreshingly lowkey, at least from outdoors. I’d expected cupolas, maybe a mosque or stained glass windows – I didn’t have a lot to draw on. Instead, it was a simple, kind of blocky building, with glass doors leading into a lobby.

    The real surprise was walking in and realizing that, for the first time in my life, I did look like I belonged. There were plenty of white folks mixed in with the crowd, but the crowd itself was –

    “They’re all brown,” I said with a quiet thrill. “Er, Indian, right? South Asian?” I desperately tried not to embarrass myself in front of Isaiah.

    Instead, he just gave me a gentle nudge with his shoulder. “White family, huh?” he asked.

    “Several,” I grumbled. “Most of them shitty. One of them called me Gemma for two years.”

    “Ouch.”

    I searched the crowd for Mrs. Chaudhury, and finally found her in a white dress, talking to some others. I was too nervous to approach her, though, and stood there like an idiot for a little while until Isaiah tapped me gently on the shoulder.

    “Whuh?”

    He was standing with another woman in a long dress wrap, who smiled at me and handed me a kerchief. “It’s important to cover your head inside the gurdwara,” she said, and she didn’t sound mad, but I still swallowed awkwardly. Oops. Maybe I should have done more than a cursory Google.

    “Alright.” I did my best to tie the kerchief over my head, and bit back a curse as my hair kept slipping out of the way. I didn’t know for sure, but I figured swearing was also pretty disrespectful.

    “Here, here.” Isaiah stood behind me and bundled my ponytail up under the kerchief, knotting the scarf underneath it.

    “Thanks,” I mumbled. “I’m bad at this.”

    “It’s alright, dear,” said the woman, giving me a pat on the shoulder. “Be quiet and respectful, take off your shoes and wash your hands. You’ll be alright. My name’s Hushaima.” She took my hand in both of hers. “I’m Gurjas’s cousin. It’s lovely to meet you.”

    “H-hi. I’m Jamal.”

    “Why don’t you two sit next to me during the ceremony? You look awfully lost.”

    Isaiah nodded, and I decided to follow his lead. Everybody was dressed so beautifully – I hadn’t known anything about Sikhism aside from a few basic details before meeting Mrs. Chaudhury, and now I felt myself both intimidated and entranced by a world I’d never been part of, so different from the isolated life I led. If I died, who would come to my funeral? Who would even know?

    That wasn’t the point. I jerked myself away from the cycle that I knew I’d worry myself into. Today wasn’t about me. So instead I followed Hushaima and Isaiah into the temple itself, sliding my shoes off of my feet and shaking the last drops of water off of my hands.

    —

     

    The ceremony was much shorter than I’d imagined, although I had the strange feeling I was picking things up in the middle. There were readings from scripture and hymns, both of them impenetrable to me, but they sounded nice. I hoped Gurjas could hear them. Once it was over, someone came around and started handing out something that looked kind of like cookie dough. I glanced nervously around, then by the time he reached me, I just did what everybody else was doing, and offered my cupped hands, letting him scoop out out a dollop. “Th-thank you?”

    “It’s the prashad,” Hushaima explained, obviously entertained by my ignorance. “It’s been blessed and given as a religious offering. Now we hand it out to everybody to eat, in Gurjas’s memory and in devotion.”

    “Oh… so, kind of like communion.”

    There was a quiet noise from behind me as Isaiah struggled to contain his reaction. “Not quite,” he managed to say. “For one, it tastes good.”

    “Ah.” I took a bite. It was sweet, warm, and melted on my tongue.“What-” I stopped myself again, and took another bite.

    “It’s good?’

    “Yes.” Then I stared down at my napkin. “… Also, apparently I was hungry. Thank you.” I decided not to ask what it actually was. Somehow the mystery made it better.

    People began to trickle out of the hall, and I crumpled my napkin, depositing it in the garbage on my way out. When I turned around, Chandra was standing with Hushaima, her white dress and headscarf soft against the surroundings, and she smiled at me. “I wasn’t sure if you’d come.”

    I shifted my weight from one foot to the other. “Well, you know. I wanted to -” Then I shrugged. Words were stupid.

    She opened her arms and drew me into a hug, planting a gentle kiss on my forehead. Then she withdrew, smiling at Hushaima. “This is the private investigator I was talking about.”

    “Really?” Hushaima looked at me with new eyes, and I swelled a little with pride. “You’re so young! That’s impressive. Maybe I should hire you.”

    I bit back the please I am poor, and instead nodded as solemnly as I could muster. I was trying to be good.

    “Where are the kids?”

    “Oh, Akal has them. They’re playing with their food again, but at least that means Ruben isn’t wandering off trying to catch leaves again.”

    I stifled a snicker. That sounded like kids to me. Then – I didn’t know how to describe it. Something changed. Something roiled, sick, in my stomach. I pressed a hand to it, wondering what was wrong. Maybe it was just how quickly I’d eaten that prashad stuff.

    Chandra frowned slightly. “Ohh, I might have to lie down. I can feel a headache coming on.”

    “It’s been a hard day! Don’t worry a bit. I’ll take care of cleanup -”

    “Shush,” I said, interrupting Hushaima. “Sorry.”

    Isaiah glanced at me. I ignored him, and then looked – properly looked at Chandra’s dress. It was harder than it should have been – it kept shimmering, like heat-haze. That wasn’t just the dress, I realized. It was everything.

    “Chandra, what colour is your dress?”

    “White, of course.”

    “No, it isn’t.”

    She looked down at the dress, which was drenched in emerald green. “…Did I spill something on it? Where did all that blue come from-?”

    I froze for a moment, pieces falling into place – then took off for the door.

    “Wait!”

    I couldn’t wait. I stopped just inside of the glass doors, bare feet arching against the tile.

    Kiera stood in the parking lot outside, her poison leeching into the air. She saw me, and her eyes glowed that awful, bitter green, and she smiled with teeth like needles.

    <–Chapter Eighteen                                                                                           Chapter Twenty –>

     

  • Review: Welcome to the Last Earth Show by Michael Sikkema

    December 28th, 2018

    I don’t have many pet peeves when it comes to poetry, but one thing that I cannot stand is when word-salad and vaguely gross imagery is chopped up into something meant to mimic free verse. It’s a trend that’s been catching on, unfortunately – blank verse that has none of the emotional resonance of Rupi Kaur or Nayyirah Waheed, and none of the metaphoric brilliance of Allen Ginsburg or Sylvia Plath, while making pretensions to both.

    Possibly I’m being cruel. Michael Sikkema’s chapbook Welcome to the Last Earth Show is certainly striking in its simplicity, and there are ways to use negative space in your favour, especially when writing micropoetry. There’s also some sort of thematic connection going on between some of the micropoems, albeit one that has something to do with mutation and possibly the end of the world. However, printing poems at the top of each page in Times New Roman and leaving the rest of the page blank does not count as an artful use of blank space. Neither can I resign myself to believing that poems like

    Pretty
    clouds
    kill
    us slowly

    really have earned their own page.

    Welcome to the Last Earth Show has some excellent metaphors lurking within its world salad. Lines like “I can hook you up with five gallons of sublime/future for the price of/a working atmosphere” actually have a lot of potential; on their own, or in the context of poetry that actually followed through on their promise, they would make a fascinating chapbook. However, if I wanted to read about dog vomit and breakfast meat, I would read a pet-owner’s blog. They probably won’t waste nineteen pages on something that probably amounts to less than 500 words.

  • Review: sunfish by Shelby Eileen

    December 18th, 2018

    Love is considered one of the great topics of poetry (along with sex, death and war), but most of the time, readers and writers alike tend to assume that that means romantic love. There’s a lot of poetry about new relationships, marriage, heartbreak – but that’s not all there is to life or art, and Shelby Eileen’s brilliant chapbook sunfish examines a very different kind of relationship; the mixed blessing of family and heritage.

    Eileen’s work is confessional poetry at its best, moving between intimacy and distance, bitterness and nostalgia, pain and love with a gentle touch. The poetry manages to be both intensely personal and relatable for everybody with a difficult home life, working through emotions about their parents and grandparents, and bearing intergenerational trauma they had no part in. Of particular note is the poem on page 41;

    mothers and daughters were not
    meant to go to war against each
    other
    so why was I born with a battle cry
    for her blood
    how does she do that thing
    that thing where the sound of her
    voice makes me want to unhinge
    self-detonate
    sabotage
    her

    It’s hard to say whether or not this is as common an experience as it feels like, but I still remember the way my teeth would rattle in my head during screaming matches with my mother as a teenager. It’s one that media has stolen and turned into a trope, another thing to make fun of teenage girls for, but Eileen has taken it back and given it the weight it deserves.

    Out of all the sections, the one about mothers and daughters is the one that hit me the hardest. However, the book ranges through Eileen’s relationship with their father, their zaidy, their bubbie, and even the concept of family and Jewishness itself. There is a constant tension at work, pushing-pulling between Eileen’s desire for freedom, their queer identity, their desire to be better than their family’s mistakes; and their craving to belong, the hope that if they say the right thing, do the right thing, the hurt will heal.

    prick
    i need her to be smart
    bleed

    prick
    I need her to be grateful
    bleed

    -page 83

    The only part of sunfish I found frustrating was the lack of poetry titles. On one hand, this added to the sense of flow – the idea that each poem flowed into the next, in a stream of consciousness. On the other hand, it makes it hard to point to the parts that grabbed me and didn’t let go. It worked for Emily Dickinson and it works for Shelby Eileen, but I just hope the page numbers carry over between editions!

    It’s also wonderful to get to review another Canadian poet; Canada’s poetry scene is one of my favourite circles, and this is one of my favourites I’ve read from it in a while.

    Shelby Eileen is on Twitter at @briseisbooks, and sunfish is available for purchase on Amazon here.

     

  • Bone Rune Testament, published at Vamp Cat Mag!

    December 14th, 2018

    I’ve been published by the lovely new lit site Vamp Cat Mag – check it out here! I love it when my stranger stuff finds a home.

    https://www.vampcatmag.com/read/bone-rune-testament-elliott-dunstan

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