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Elliott Dunstan

  • Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES
  • Ghosts in Quicksilver: 2.15: Ultraviolet

    August 15th, 2020

    Thank you to Theia for sensitivity reading this chapter! 

    tw: stalking, gun violence, severe PTSD flashbacks/triggers, attempted/threatened murder, implied toxic relationship, shooting in a public place, hallucinations/unreality/intrusive thoughts, white aggression towards a Black girl 

    I wasn’t sure what to say. I would have been scared for Nathan if it weren’t for the stupid fucking look on his face. So I went for the obvious—“What are you doing here?”

    Kiera seemed ready to answer, then with an amused glance, realized I was talking to Nathan. I’d deal with her later.

    “I—well—uh, I mean—”

    “Our apartment is an hour from here. This better be good.”

    “Would you believe I actually just really wanted to go to the Chapters?”

    “I—” I stopped for a second and glared at him. He did kind of give off the helpless dork vibes enough for a bookstore field-trip. And I’d seen his bookshelf. “Actually, yes. But what is she doing here?” I glared at Kiera, who just nonchalantly stuffed another pair of fries into her mouth.

    “These are good,” she said idly. “What are they?”

    “French fries.”

    “Oh. Are they made of French people?”

    I blinked, and a little voice inside of me begged, please do not laugh. “No, they’re made of potat—what are you doing hanging out with my roommate?”

    She pulled a sheepish face at that, which probably meant whatever she said next was going to be horrible and ethically fucked up on multiple levels. I’d started to expect it. “How was your trip into the Medium?”

    “You know where I—Of course you do. Fucking faerie bullshit.”

    “If it helps, other faeries don’t like me either.”

    “I’m shocked.”

    Kiera chewed on another fry thoughtfully, and just when I thought she’d forgotten the question, gave me a weird, puzzled look. “I went to your house. Just—to see if you were alright.”

    “Cool, cool, cool, that’s a totally normal thing to do—”

    “And hung around for a bit?”

    “What?” I stared at Nathan. “You couldn’t have called m—” Then it tracked why Nathan hadn’t seemingly noticed I’d been gone for so long. “You didn’t. You fucking didn’t.”

    “That’s an incomplete sentence, techni—” She reached for another fry, and I slapped her hand down onto the table. Whatever the hell was rotten with her brain, that amount of salt wasn’t going to help. “You don’t have to be rude.”

    “Says the woman who apparently impersonated me for two weeks!”

    Nathan cleared his throat. “Actually, I caught her about five hours in. She was cooking. You don’t cook.”

    “See? I did nothing wrong—”

    “Shut up before I make you.” Well, at least I could pick a target now. I turned on Nathan and approached him, watching him stumble backwards until his back was pressed against the plaster wall. “Any reason you didn’t tell me about the superpowered stalker in my apartment?”

    “Uh. You seemed busy.”

    “Nathan!” Then I frowned. “You are nowhere near freaked out enough about this.”

    He shrugged. “She didn’t really hit me hard enough last time. I did all the freaking where you couldn’t see.”

    I could almost appreciate that. Except—“Good, that means we can focus on the stalker!”

    Nathan stuck his hands in his pockets and looked both embarrassed and proud of himself. It took me a second, and then… Oh my god. Oh my god, I hated straight men. I hated straight men with a passion.

    “You…” I stuttered. “Did you—”

    “Maybe?”

    “YOU FUCKED MY STALKER?”

    “She’s cute!”

    “She’s a stalker!”

    “It’s not like I knew!”

    “She showed up at an apartment she doesn’t live in and pretended to be me. Badly.”

    Nathan sagged. “Yeah, I was hearing myself as that came out of my mouth and it wasn’t good. Sorry. If it helps, it wasn’t while she was, you know…”

    “Please stop talking.”

    “I mean, you’re attractive! But that would have been way dodgy.”

    I stopped paying attention to Nathan. Things had been weird since I’d walked into the McStab’s. I hadn’t really registered it at the time—I was tired, it’d been a while, and who cared if there was a misspelling in the menu? But now the menu was offering things like eyeballs and frozen heads. The girl pouring Pepsi into her cup was getting a cup full of blood, and not noticing.

    I’d taken my eyes off Kiera. Mistake. Big mistake.

    I turned away from Nathan and saw what I’d been missing behind me. Jaylie—no, somebody else, probably Reynare if the red hair was any clue—retreating quietly towards the entrance, step by step. And Kiera, eyes glittering with something vicious, staring at her.

    Nobody else was even noticing. “Of course,” I mumbled. “This is McStab’s. They’re all drunk, high or crazy.” Probably a little unfair, but where else in the city would this go completely unnoticed?

    “Stay away from us,” Reynare warned, but as the poison kept spilling into the air, I thought I could see a fox-face imposed over already-sharp features. “You’ve done enough damage.”

    “I just want to talk.”

    “Bullshit. You killed them, in front of us.”

    “Because they weren’t helping. Nobody helps. And I don’t—” Kiera frowned slightly, conflict in her eyes. “I didn’t kill all of them. Don’t think so, anyway.” She looked confused.

    Reynare laughed, a cold and bitter thing. But she couldn’t disguise how scared she was. And how could she? Kiera was white. Kiera was older, and stronger. Kiera was obsessed. And Kiera had a sword.

    I felt a litany of curses roiling up in my head. Stupid, stupid, stupid—I couldn’t reconcile the funny, bantery, inappropriate Kiera with an actual murderer. I couldn’t do it. But—well—I was going to have to, wasn’t I?

    I reached for her, grabbing the sleeve of her trenchcoat, and she swiveled towards me, knife-sharp teeth bristling too long in her mouth, like needles clustering for space. I staggered backwards, but her fingers dug into my shoulder—

    —Then suddenly, she seemed to realize I was there. The teeth retracted, became nearly normal again, but the eyes didn’t lose the glassiness. “Stay here, Guthrun,” she murmured, but I grabbed at her again, this time by her lapels.

    Dimly in the background I could see Reynare backing away, disappearing behind the consoles – was she leaving –

    Kiera still looked… wrong. Like she hadn’t quite put herself together right. “I’m just asking a question,” she murmured.

    “I’m supposed to help! Right? Just by being here.”

    She laughed, lightly, and something of the Kiera I recognized from other conversations reappeared, just for the one line—“You would if I let you.” Then she vanished, just for long enough to leave me holding the empty coat, and reappeared—taller, skinnier, more monstrous, a footstep away. Her arms were bare and white under the fake white glow of the restaurant lights, and I couldn’t —I had to think of something—

    STEP BACK.

    The compulsion was so strong and so unexpected that I couldn’t even try to fight it. I stumbled backwards until I was standing by the wall. Nathan sank down into one of the chairs, mouth moving as he held a silent conversation with someone I couldn’t see. A woman in a dark-green dress and snow boots started dancing in the hallway leading to the bathroom, careful steps in tune to some hidden music. Others stared into nothing, lost in worlds of their own that played over their irises. The walls cracked, spidery hands reaching across the plaster and down across the linoleum –

    Then, all at once, everyone stopped on cue. As one entity, everyone in the restaurant, every worker, every customer, everyone except me turned their heads to stare at Kiera with eyes that were starting to come back into focus. I felt the thought, too—the command—like a raw, agonized scream in my head, like a migraine about to happen, words faded and barely distinguishable in the storm. And I hadn’t resisted it, exactly. I was looking at Kiera, too—but I knew, unlike the others, that the thought wasn’t my own. That the reality around me wasn’t true. I wasn’t immune, but I was safer than they were. And I knew whose scream it was in my head.

    Will.

    She came through the entrance slowly, chewing on the inside of her cheek with a menace I’d never seen from her before. She was silly, always ready to laugh or to make some dumb joke, and the little sharpness I’d seen had been—the normal stuff, the type of thing you expect from queer people with wounds in their past and chips on their shoulder. But now, even if I hadn’t been able to feel the raw fury pouring from her, unstable Sulfuric energy rocking everybody in the tiny store with emotions they couldn’t process…

    “I knew I’d run into you myself at some point,” she said.

    Kiera looked…

    …Scared. Not scared. I wasn’t sure what it was. Nervous? Who knew with Kiera? Trying to think through the smog was exhausting. Trying to look past the other world crawling and creeping up the walls and under my feet (now you’re standing on grass, now you’re standing on cinders, don’t worry, you can’t feel it but your eyes like to trick you) was exhausting.

    “Willow. Been a while.”

    “Yeah. How many of us did you kill when I wasn’t looking?” Will’s voice was ice and gravel, raw from the cigarettes she’d been smoking, and grief for her friends showing itself through the cracks.

    Kiera chuckled, but it was one of those hollow, nervous sounds, like hitting a rotten log. “I, uh—didn’t keep track, really.”

    “Course you didn’t. We’re just bodies to you, huh?”

    Kiera’s forced smile dropped. “Get out of my way.” For whatever reason, the comment had hit.

    “Yeah, absolutely no fucking way.”

    “Please. You don’t even know her—”

    “This isn’t about Jaylie,” Will interrupted, voice getting louder. “You’re right! I don’t know her! But I know you and I know I should have stopped you a long time ago.”

    People started to get up from the tables, and I realized Will was controlling them—maybe not directly, but if the suggestions were strong enough, on top of a mind racked by hallucinations—

    “Will, don’t, she’ll kill them!”

    She showed no sign of hearing me, but the people didn’t move from their standing positions. Their eyes stayed locked on Kiera, tall and corpse-like in the middle of the restaurant. I heard a clatter. The door. Jaylie and the rest were long gone. I supposed I couldn’t blame them, but I was stuck here, at the back. Trapped.

    I have to call Avery, or Isaiah, or Jo, somebody, somebody who can handle this, I can’t—and on top of it, the realization dawning that they knew each other. Will had known so much about Kiera, more than Cass, more than she’d let on—

    “Don’t throw any humans at me, and I won’t slit them open,” Kiera said conversationally. “I think that’s fair, don’t you—?”

    “Says the bitch looking for other people to fix her.”

    Kiera sighed. “Like you don’t. Like you weren’t looking for somebody to fix. What would you like me to do, apologize for not being a waify enough ingenue?”

    “You’re a murderer. And you don’t even feel the slightest bit guilty.”

    “Guilt is such a complex topic. Besides, I’m in good company—”

    Before I had time to process what a bad thing that was to say, from barely-remembered fragments of a newspaper story, Will had reached into the back pocket of her jeans—

    My mind went blank.

    A gun.

    Will had a gun. Will had a gun in her hands, something I’d only ever seen in the hands of cops and guards and in movies, and she was pointing it at Kiera. How had I not seen it? I hadn’t been looking. It’d been under her shirt—

    (how scared do you have to be to risk being stopped with a gun)

    (how scared do you have to be to own one)

    Americans had guns. Cops had guns. Hunters had guns. Queer kids in urban sprawl didn’t have guns.

    Kiera seemed ready to pounce, but something stopped her, and a smile started to form on Will’s face. A bad smile. One that didn’t touch her eyes.

    I don’t know why my brain was putting things together at that moment. Maybe because everything seemed to be moving very slowly. But growing up around people who can hurt you, who will hurt you—you know when something’s wrong. You don’t say it, because it’s not safe. You just tread more lightly. Speak less. And ‘wrong’ never clarifies itself to you, until they say or do something.

    Kiera I’d already known something was wrong. But Will—Will had been cracking for a while. Hadn’t she been awfully cruel to Cass? And Cass had been worried about her for a reason. The cracks had been showing. The floor had been creaking, telling me something, something.

    Now I was seeing them together. They were the missing pieces of each other, the blow, the impact, the thing that had cracked the glass. And I wouldn’t have put it together if under all that hatred and bitterness spilling out, the thoughts invading mine, there hadn’t been twin threads of betrayal and love.

    “Get on your knees,” Will ordered, and I knew she’d been doing it with her thoughts, too.

    “Execution-style, huh? You know there’s every chance that won’t even hurt me—”

    “Save it. Bullets are made of iron.”

    Kiera quietly got to her knees, raising her hands in surrender. “I submit, or whatever. Drag me away in chains—”

    “Yeah, right.” Will’s voice sounded so far away, so empty. “I learn from my mistakes.”

    Shit, shit, shit, shit—all I could hear was Jo’s cut-off scream, and I knew what memory that was, the one I didn’t have, but it was playing the soundtrack for me anyway—I didn’t have any reason to care about Kiera and I didn’t have any reason to stop Will but, but, but—

    –but I don’t need a reason-

    (Cops have guns and hunters have guns)

    This was bad and any idiot could see it was bad, and I had to stop it. I couldn’t stabilize two people at once, I was pretty sure I couldn’t, and even if I could, neither of them was gonna stabilize with the other around.

    The floor. It looked like muddy grass. It didn’t feel like it. I banged my foot against it to be sure, but yep—linoleum tile underneath. Which meant—

    I took a few steps back into the bathroom hallway, kept my head down, took a few steps, and then threw myself across the floor. I hit Kiera’s back arms first, and we crashed into one of the tables. A shot rang out—a startled response from Will and exactly why I’d kept my head down—and Kiera stared up at me in confusion.

    “Go,” I hissed. “Now!”

    She nodded, and a second later, I was holding smoke and empty air. Something flitted away, a butterfly or a bird, something small. And two seconds later, the screaming started. The hallucinations were gone.

    I got to my feet as fast as I could, hurtling to the back and grabbing Nathan. “Call an Uber home. Now!”

    “What—I—”

    “I’ll explain later, now!”

    Then I just had to get Will. People were stampeding out of the McDonald’s, and nobody had stopped to notice who had been holding the gun. They’d all been on the magical equivalent of LSD. They’d all give five hundred different reports.

    I found her crouched in the corner next to the garbage bins, the gun stuffed underneath one of them. She stammered, tried to say something, but I just hauled her upwards. “We gotta go. Bring that thing with you so we can get rid of it properly.”

    “I don’t—I—I don’t want to touch it—”

    “Then I will, jesus.” I stuck it in the hoodie pocket. Nathan was outside. I couldn’t see Jaylie anywhere, and I wondered if she’d fled back to the Medium. So much for keeping her safe. “How long?”

    “Two minutes.”

    “That’ll have to do.” I grabbed Will by the shoulders, giving her a small shake. “Will. Willow. You are going to clamp it down until we are home. Got it?”

    “I can’t—my head is—”

    “I don’t give a shit. Five minutes. Think about, I don’t know, teddy bears. Five minutes and then you can fall apart. Okay?” I hated having to be so cruel to her, but it was that or leave her here, and the second was not an option.

    She raised her eyes to me, looking so small that it hurt. “You promise?” she whispered.

    I softened, despite myself. I was terrified. But so was she. “I promise.”

    A moment later, I found myself thinking about teddy bears. I smiled—just a little—as we climbed into the cab. She was keeping her word.

    I thought about Jaylie again—fled in fear, back into the night, on her own again. I just wished I’d been able to keep mine.

    <– Previous Chapter                                                                                                               Next Chapter ->

  • The Gremlin’s Library: Dead Astronauts by Jeff Vandermeer

    August 13th, 2020

    Well. WELL. WELL.

    I was confused, mildly curious and definitely tempted by the first chapter. I was not prepared.

    God fucking damn.

    Dead Astronauts is the literary equivalent of that one scene from Neon Genesis Evangelion – well, okay, there’s multiple. But the one that I can’t stop thinking about is the notorious “mind rape” scene with Asuka. Honestly it has a non-zero number of similarities with NGE, thematically and in terms of being surreal in a way that somehow, impossibly, makes you care. 

    Sitting back for a moment, this book makes the Borne universe all the better. I haven’t read Strange Bird yet, but I remember being slightly dissatisfied with Borne’s ending. Dead Astronauts, however, takes this ending and runs with its implications – the idea of multiple Cities, multiple Companies, the disease of capitalism winding its way through multiple universes. The “dead astronauts” of the title are Moss, Chen and Grayson, three lovers of infinite potential and strange powers. Grayson is the actual astronaut of the three; Moss is some sort of time-travelling lichen-ish being, and Chen is part salamander. (Or something. This is Vandermeer.) The three of them are trying to stop the Company and prevent its destruction of the world, and in a more normal or standard story, that’d be what they do.

    This is a more complicated story that that. it’s told non-linearly, and is less concerned with the ultimate fate of the Company than with how it got there. Moss, Grayson and Chen are all important, but so is the blue fox – one of the Company’s creations that broke free – the broken-winged bird that serves as its sentinel, and its current owner Charlie X. The book gets more and more demented as it goes, and some sections are more coherent than others.

    Here’s where Dead Astronauts surprised me, though; Vandermeer’s horror always mixes the human with the strange and biological, but Dead Astronauts goes full throttle. Sarah comes up about midway through the book, and she is schizophrenic and homeless, as well as the survivor of some absolutely horrendous child abuse. This pales in comparison – SOMEHOW – to what Charlie X was put through at the hands of a father who enjoyed killing things only to bring them back again…because he enjoyed the act of killing. The disjointed, psychotic writing style just makes this hit all the harder, with literary tricks like five or so pages of “first they killed me. then they brought me back. then they killed me. then they brought me back.” over and over and over again. It’s a character study book, set against a backdrop that serves as a fiery diatribe against capitalism and the destruction of the natural world just by its existence.

    So, a full trigger warning for this book, which is long enough that I did not put it in front of this review:

    -Child abuse and murder**
    -Tricking a child into killing somebody else**
    -Gaslighting
    -Ableism (specifically sanism)
    -Religious delusions
    -Forced… cannibalism? Consumption of sentient things? It’s bad yo**
    -Mind control and influence
    -Suicide
    -Unreality
    -Sense of inevitability
    -Animal abuse and torture**
    -Experiments on animals and people**
    -Brain trauma/injury
    -Body horror**

    I also need to emphasize that most of these, but particularly the ones with ** on them, are not minor – they’re significant parts of the plot and can’t be skipped or tuned out of. If these are going to trigger you, don’t read it! You will live if you don’t, so please don’t upset yourself.

    Dead Astronauts is an incredible, time-jumping, heartbreaking novel that really should be advertised as literary horror as well as science-fiction. Highly recommend – with provisos.

  • First Chapter Thoughts: In the Dream House

    August 11th, 2020

    My partner is actually the one who recommended this book to me (the wonderful Davey at @NotLisaDavis <3) and so far, I’m enthralled. In the Dream House by Carmen Maria Machado is a creative non-fiction memoir that combines elements of slipstream, magical realism and literary fiction to talk about an abusive relationship from her past, as well as wider themes of abuse, PTSD, queerness and trauma.

    For the ‘First Chapter Thoughts’, I stopped after both the prologue and the first very short snippet. The prologue is particularly notable – it begins by talking about the ‘violence of the archive’, a topic close to my heart. What is left out of any collection of history? What is untold? As a librarian and archaeologist, this is a topic I am intimately familiar with. The holes in what we receive in both those disciplines tell just as much of the story as the artifacts and books themselves. Why don’t we have artifacts from, say, disabled people in the Greek Bronze Age? Or explicit depictions of queer love from Ancient Egypt? The answer is that often we did… and they didn’t survive, either through implicit or explicit violence or bad-faith interpretations.

    For Machado, she discusses the hole left by the lack of depictions of queer abuse. Queer love has been so rarely discussed and depicted to begin with – queer abuse is an untold story that we have to reassemble from gaps in what we have. And so she does this through the metaphor of the house – the “master’s house”, arkaios, archive, the Dream House. The first chapter builds this Dream House, talks about it, and builds the metaphor that isn’t really, truly, completely a metaphor.

    I’ve been warned, and really getting the feeling that it’s true, that this book is going to emotionally wreck me. Let’s go.

  • The Gremlin’s Library: Mexican Gothic by Silvia Moreno-Garcia

    August 6th, 2020

    Silvia Moreno-Garcia previously impressed me with both Untamed Shore and Gods of Jade and Shadow, but I think her most recent release, Mexican Gothic, is my favourite of her work yet.

    Trigger warnings in place for this book include: rot/decay, eugenics, racism, gaslighting, drug overdose, sexual assault, premature/live burial, cannibalism, incest and implied suicide and CSA.

    Mexican Gothic follows Noemí Taboada as she goes on a mission to rescue her cousin from a highly suspect, worrying marriage. She arrives at Catalina’s husband’s house in the wake of a distressing letter, only to meet various members of the strange Doyle family. There’s Virgil Doyle, her cousin’s husband, as well as his cousin Florence, and Florence’s strange and fragile son Francis. Ruling over them all is the sickly, eugenics-obsessed Howard Doyle, who is usually sick in bed.

    Catalina talks about ghosts in the walls and being poisoned, which the family brushes off as the side-effect of tuberculosis. Still, Noemí’s smarter than that, and with Francis’s unwilling aid, works to uncover the mystery of High Place and the Doyles’s strange, twisted family.

    One thing to know about this novel going in is that it is not shy. Many novels of this type would lean on eugenics, racism and sexual assault as metaphors; Moreno-Garcia disposes with that artifice without fuss, and Howard cross-examines Noemí about her mestiza and Mazatec heritage. At the dinner table. With, may I add, a lot of very demeaning and unsettling comments about how ‘dark’ she is. It’s almost funny, in a sickening way, especially since Noemí goes through some of his books later and goes from wondering if he has any calipers to measure skulls with to wondering how many he has.

    The sexual assault is even blunter. The Doyle family sees women as tools – baby-makers and products to be delivered to their heirs – and the sexism of the fifties is examined throughout the book. It’s even more relevant that Noemí is a debutante from a high-class family; she has more freedom than many, but still finds herself trapped at every turn. She’s told off a number of times for being so “free-willed”, even called “filth” by Florence, the family matriarch, and even her own father admits she’s flighty. Yet, she’s the heroine of the novel, bold out of both fear and spite.

    Mexican Gothic is an incredible modern entry into the gothic horror canon – and canon is where it belongs – that delivers even more on Gothicism’s themes for disposing with its standard trappings. The house is not some old British mansion; it’s a colonial house with a colonial British family, built upon a mine that consumed its (mostly Mexican) workers with plague and almost literally upon their bodies. The despairing, slowly driven insane wife is not simply tormented alone and in pain – it’s her cousin who comes for her. And all through it is the same horror of the domestic, the horror within a family, that makes Gothicism so enduring.

    If you enjoyed Mexican Gothic, you may enjoy these books as well (and vice versa, if you’re not sure whether or not Mexican Gothic is your thing!) – White is for Witching by Helen Oyeyemi, Ninth House by Leigh Bardugo, and The Changeling by Victor LaValle. Additionally, The Yellow Wallpaper by Charlotte Perkins Gilman and Shutter Island (2010) may be of interest, although the former is a short story rather than a novel, and the latter is a film.

  • 1.3 – Cassandra – A Room Of One’s Own

    August 5th, 2020

    1.3 - a room of one's own

    a gap a thousand words too wide ˑ over and out and stop ˑ a settling

    Song: Losing the Light by Explosions in the Sky

    Will’s house, such as it is, is not quite what she expects. She doesn’t have much energy to look around, though – she’s exhausted, and it’s a wonder she’s still awake.

    “I don’t know why you’re here, frankly,” Willow sighs, and even though she looks so different, the attitude is the same, the faux-tough, dismissive annoyance, the sense that she knows everything, and Cassandra is inclined to agree with her. She doesn’t know why she came here, either, other than a lack of options, and she’s ready to start a fight just for the hell of it – “but you can stay as long as you need to.”

    Oh.

    Well, she still kind of wants to start a fight. Not that she’d win. But what are her options? She can’t respond with any kindness of her own, mostly because she doesn’t know how, so she just sits down on the couch that Will is straightening up. It’s… definitely not Will’s couch. (Black, and Will’s never liked black for fashion or accessories, and a Victor LaValle book with a raven-headed bookmark on it on the side-table.)

    “Who else do you live with?” Cassandra manages to ask. Stupid question. Not the first thing you ask your sister after more than a year of no contact.

    Will casts a funny look at her, and Cassandra imagines she can feel the searching tendrils of Will’s curious mind through her thoughts. She’s very possibly imagining it. “Avery. You’ll meet them later probably.”

    Not much of an answer. She doesn’t know what she expected. The familiarity of this is depressing. It doesn’t matter whether Will is in jeans and polo shirt or glittery makeup, and whether Cassandra is perfectly poised or shattered into a hundred pieces, the uneasy imbalance is the same.

    I wish I knew how to love you better, she thinks, and she feels bad for a moment when she sees the sadness flash over Will’s face. But she knows perfectly well that Will feels the exact same way.

    “Avery is cool. They, uh –“ A small twitch of a near-smile flickers over Willow’s face, the face that looks so much more like hers than it should, “They helped me sort out some of my shit.”

    Why isn’t she screaming at her yet?

    Why isn’t she angry? Furious? Shocked or surprised or horrified?

    If Cassandra knew how to respond outside of her set of learned reactions, she’d ask it in a scream. Instead, she just nods, quiet and removed. Is Will concerned about her? Concerned about what she’ll do? Not for the first time she’s jealous of Will’s ability, the mindreading that she wasn’t even sure was real for so long, the psychic powers that sound like they’re out of an X-men comic. They share so much. They should share this, too.

    Instead, she eyes the pillow and sheet on the couch. Will shrugs with a small laugh. “Sorry. It’s a two-bedroom apartment. We don’t exactly have a spare bedroom.”

    “That’s alright. I didn’t expect one.”

    Call, response, call, response –

    She’s out of answers. She’s out of responses. And she keeps waiting for Will to ask what happened.

    Will doesn’t do anything at all. She just excuses herself, and Cassandra sits in a stranger’s living room, staring at the half-finished art on the walls, the dirty dishes on the table, the bookshelf of mixed videogames and sci-fi pulp novels.

    I want to go home.

    She figured she’d find herself thinking that at some point. Not so soon.

    Cass has a half-formed thought that she’ll get to her feet and everything will be fine, she’ll just go home, and the claws that have been tightening on the sides of her head give way instead, and her legs collapse. The carpet is blue, and close, and –

    <- 1.2 1.4 ->

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