• Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES

Elliott Dunstan

  • Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES
  • The Shining Wire – Preorders Open & Cover Reveal!

    September 15th, 2019

    Hello everyone! After a lot of work, my experimental poetry and prose chapbook THE SHINING WIRE is now available for preorder on my Storenvy!

    First things first – while advanced reading copies went out a few days ago, they went out with a cover. That means that I get to do a very fancy cover reveal. With no further ado –

    shining wire cover - smaller

    THE SHINING WIRE is a surreal journey through a disjointed identity, chronicling characters desperately trying to pull themselves together and do more than just survive. The key question in THE SHINING WIRE is what comes after the nightmare? What comes between the crisis and the happy ending? In Red Roulette, Jenny Crimson knows what needs to happen, but explaining it to the other half of her is a harder task. In Crowfeeder, a relationship on its last legs finally collapses, and Aidan tries not to fall back into old patterns. In the Reprogramming Sequence – a series of poems written in pseudocode – executive dysfunction and pattern responses are seen through the lens of an operating system.

    This chapbook is 40 pages with two illustrations, seventeen poems, and four short stories. The preorder package comes with a print copy, an ebook copy (a choice of a full-formatted copy, or a version in plain text that works with screenreaders), two stickers and a bookmark. There’s only twenty preorder packages, and the preorder period closes on September 30th. Regular sales will begin on October 6th.

    WARNING: Trigger warnings for THE SHINING WIRE include – and are in no way limited to – gun violence, attempted suicide (not graphic but not whitewashed either), psychosis, abusive behaviours, domestic abuse, miscarriage, depression, needles and abandonment.

    The preorder link is here: https://elliottdunstan.storenvy.com/products/28674698-the-shining-wire-preorder
    If you like The Shining Wire, consider leaving a review on Goodreads: https://www.goodreads.com/book/show/48133317-the-shining-wire

  • Review: Deadline by Stephanie Ahn

    September 10th, 2019

    Heads-up! This review is for an adult book, and this review discusses some of the sexual and kink aspects. I review enough YA on here that I don’t want wires getting crossed. 

    I was in high school when 50 Shades of Grey started getting popular, and even then I knew it was a god-awful representation of kink. I was surrounded by the sex-positive movement, people just starting to explore the BDSM community, and a queer community that was exploding into self-actualization. It was only when I graduated, however, that it became clear to me why the books I read felt so odd to me; 50 Shades of Grey was the only one I’d ever seen to even acknowledge BDSM, even in the queer lit I managed to get my hands on.

    Obviously things have changed quite a bit since then, but as somebody who avoids pure romance, it’s still not often that I read anything with BDSM acknowledged as more than a one-off joke or something to make a villain more villainous. That’s why Stephanie Ahn’s Deadline is such a pleasant surprise. Following the adventures of Harrietta Lee, witch-for-hire and lesbian walking disaster, Deadline mixes Harry’s magical sleuthing with flashbacks to a bad decision that changed her life and toe-curling, beautifully written and accurate kink. (Harry is Korean, too, which adds to the ‘fuck you Harry Dresden’ vibes of the whole thing.)

    It’s hard to put my finger on what I liked best about Deadline. ‘All of it’ is an accurate answer but not a particularly useful answer! It straddles the line between not taking itself too seriously and still handling its serious topics with grace and kindness, and its dramatics never become melodramatics. Harry is traumatized and lonely, but fast with a quip, and her bad decisions always make sense at the time – both to her and the reader. And then of course, the scene where Harry gets whipped is one of the best sensory depictions of sadomasochism I’ve ever seen. I can name a dozen torture scenes that lean into it, but this is the first consensual scene that I’ve read that leans equally into the pain and release.

    Deadline is available on Amazon, as well as its sequel Bloodbath (which I haven’t yet read but I am VERY excited to read!)

  • Ghosts in Quicksilver: Chapter 2.3: Be Gay Do Crimes

    September 2nd, 2019

    TW: Hospitals, death/grief, implied abuse, death of a sex worker (offscreen), drug jokes.

    The Civic Hospital was quieter at night than I’d imagined or remembered, and only the adrenaline in my system kept my nerves from shattering. I told people it was hospitals in general that pissed me off, but at the end of the day, everything came back here. My mother had dropped us off here with name tags and a change of clothes. Johara had been brought here in a rush, the children’s hospital too far away, and died in an operating theatre. Gurjas had worked nights here, in the psych ward—and, I thought with a grim smile, though I couldn’t remember it, this could very well be where I’d briefly been held. 

    It figured, really, that the city morgue would be here, too. For all that the General was supposed to be the central branch of the Ottawa Hospital, a surprising amount happened here instead. This one was closer to downtown, after all, and closer to me.

    Still too quiet, too echoing, too drenched in death and sickness and fix-me and hurt.  I didn’t like it here. The good news was that everybody we were here to see was already dead.

    I pulled the neckwarmer up over my face and the tuque down over my ears, making sure my hair was covered. They were a bit conspicuous this early in the fall, but it was the best thing I could come up with. At least it was a weirdly cold October—that was my excuse.

    Will had taken a different route. She’d vanished into my bathroom with a bottle of Manic Panic and emerged with dark green hair, three more piercings than normal and her makeup scrubbed off. At my questioning glance, she shrugged and grinned. “Gender is my bitch. And my dysphoria shuts up if it’s a disguise. I like disguises.”

    I didn’t bother asking about the piercings. It seemed perfectly in character for her to have far too many. But walking down the hallways and trying to remember where the morgue was exactly was nerve-wracking enough. Technically, I’d been there before—

    —this might be unsettling but we have to ask you as the next of kin—

    —but the map on my phone was much more reliable, which was notable, given that the map was shit.

    “No wonder that’s not working for you,” Will snorted. “It looks like it was drawn by a grade schooler on Sketchup. Come on. This way.”

    “You know where it is? You could have said something!”

    “It’s not exactly a pleasant memory,” she grumbled, and I frowned slightly, but let it drop. I still didn’t actually know anything about Will. Close with Avery, sure. Mind-reader. Trans woman. Shady past. Lots of vague outlines, with a severe shortage of details. I couldn’t decide whether I was fine with that or wanted to know more; I wasn’t good at connecting with people. My first relationship, such as it was, had fallen apart because I hadn’t ever bothered calling her. It hadn’t occurred to me that I should. 

    The empty hallways echoed with our footsteps, and I swallowed the lump in my throat as I waited for some nurse or attendant to round the corner and ask what we were doing here. But nobody did, and before long, we were standing in front of a nondescript door marked only with a sign that said PATHOLOGY.

    I remembered the door, suddenly, and fought the nausea in my stomach. Yeah. Yeah, this was the place.

    “Door’s locked,” Will mumbled.

    “Not a problem.” I pushed past and dug into my pocket for a paperclip. I’d been smart and grabbed a few before we left. You never knew when you had to pick a lock.

    “My, my,” laughed Will as I worked at the lock. “The plot thickens.”

    “I only learned because Bill and Alice were always late home from work. They never got around to giving me a key and sitting on the steps during winter wasn’t any fun.” I gave the paperclip another wiggle. “We’re just lucky they don’t have a keycard on this door.”

    “I wonder why not.”

    “Why else? Money. Besides, only crazy people would want to break in and steal a body.” I was rambling and I knew it. It was a mix of bad memories, and the creeping horror of what was on the other side of the door. I was tough. I wasn’t supposed to mind this stuff. I talked to dead people (well, at least one) all the time. This shouldn’t bother me anymore.

    The heavy door creaked open onto a dark room, the vague shadows of what looked like lab equipment looming out at us. Will nudged me in and grappled for a light switch as the door swung closed behind her. The fluorescent striplights flickered to life, and the white lab tables with their steel equipment reflected the flickers back up at the high ceiling. I couldn’t have felt more out of place.

    “Alright,” Will said. “I don’t really remember this part.” I glared up at her, and she shrugged. “It’s been a while.”

    “Were you breaking in then, too?” I asked, then immediately regretted it. That wasn’t fair. There were plenty of reasons for somebody to visit a hospital mortuary, none of them good. I’d been here to identify Johara’s body, to make sure they had the right girl. Like there was any chance they didn’t. I’d watched it happen. (I thought I had. Jo said I had. I didn’t remember.) 

    Will looked at each of the three doors on the far side of the lab in turn, and for a moment, I thought she was just ignoring me. Then she sighed. “Nope. Dead brother. I think it’s the, uh, door on the left.”

    Jesus. I couldn’t imagine being so casual about Jo. Then again, it wasn’t like she was dead dead. She was just…

    I distracted myself by following Will across the lab. She was right—the door said in small but legible capital letters, MORTUARY.

    I took an unconscious step backwards. This had seemed like such a good idea in the light of day, going and talking to other murder victims and finding out who had murdered them (Kiera you know it’s Kiera she couldn’t have made it more obvious)—it was what Jo had been pushing me to do all this time, after all. But I wanted to go home. I hated ghosts. I hated them. I hated seeing how they’d died, or hearing their pleas for help I couldn’t give, or seeing through them like they were made of water or smoke or tissue paper. I didn’t want to be able to do this—I didn’t—

    I thought about Kiera. The way she’d looked at me, like a butcher sizing up a shank of meat. The way she’d casually given me more money than I’d ever seen in my life to hunt down some teenage girl. It didn’t matter whether she was the responsible one or not—she knew something, and she was involved.

    I could be scared on my own time.

    “Fine,” I tried not to snap. The door wasn’t locked. Will opened it, doorknob firm in her hand, and even before she turned on the light this time, I could see the eyes and shapes of the dead rising up to greet me.

    They didn’t know I could see them, yet. Instead, as the bulbs above them cast their rays through their gaseous shapes, they watched curiously as we quietly moved into the room.

    Will glanced into the corners. “No cameras?” she asked curiously.

    “There’s probably a small one somewhere. See if you can find it.”

    I’d never seen so many ghosts in one place before. The dead gathered in some places—memorials in particular, churches, temples—and I avoided those places or managed to block out what I could. But here… Here, they were sitting on the tables, perched on top of the freezer cabinets that held their bodies, cross-legged on the floor, and all of them waiting for… for what? I didn’t know.

    They were all staring at me. Or, more accurately, at us.

    They don’t look like grave-robbers,” commented one older man, tuque tugged down over his ears, and he scratched at his beard.

    “I don’t think it counts as grave-robbing if we’re not buried,” added a different ghost. “Besides, we don’t exactly have anything useful.”

    “Maybe they want our organs.”

    “Our organs are dead, Janine. I saw it on Grey’s Anatomy. They’re useless unless we’re alive or just died.” Then she paused thoughtfully. “None of you died while transporting cocaine, right? Because there was this one episode of NCIS—” 

    “Ugh.”

    A girl a few years older than me walked-slash-floated up to me, looking me right in the eye. Then she poked me in the nose, although her finger went right through, and instinctually I tried to bat her finger away. “Woah. You can see me?”

    “Yes,” I snapped finally in irritation. “And I’m not stealing anybody’s organs, thank you.”

    The entire room fell silent for a heartbeat. Then the uproar started.

    “Do you know anybody called Khaled—”

    “The family in the Lord Halifax, did they get into—”

    “—Tell Moira—”

    I clapped my hands over my ears, frustrated tears gathering at the corner of my eyes. This was why. This was why I didn’t talk to the ghosts I saw. Any other power. Anything else. If I had to have some sort of weird ability—

    “Hey, hey, hey. Leave her alone.”

    At first I thought it was Will talking. But it didn’t quite sound like her, and when I opened my eyes, I saw her standing a little away from me, an impressed smile on her face and one of her eyebrows quirked. The crowd of ghosts backed off, and the girl who had poked my nose gave me a wry smile. “Sorry. They got excited. I get it.”

    “You do?” I asked, trying not to feel dumbfounded.

    “Yeah. I’m Elena.”

    Once the name came out, Will’s eyes lit up. “I knew I recognized that voice!” Then her face fell. “Damn it. I—I’d hoped you moved.”

    “Hey, Willow.” Elena flashed Will a sad smile. “No such luck, sorry. Shit happens.” That was a pretty casual way to talk about the fact that you’d died.

    “You two know each other?”

    Will nodded. “Elena taught me how to use Backpage. We worked together a few times—you have no idea what I’m talking about, do you?” She looked a little awkward at that, scratching at the industrial piercing on her earlobe. “S’pose that might be for the best,” she murmured under her breath, sounding a little embarrassed.

    “I feel like I’m supposed to.”

    Elena laughed, black curls bouncing. She reminded me of Johara, I realized with a flash of something I couldn’t describe. Shock, maybe. Unacknowledged grief. “I’m a sex worker. Or was, I guess? Which I guess is why nobody heard about…” She let it trail off. “And a Salt elemental, too. Which is the real reason Will and I know each other. Always happy to keep her company when she’s having a bad day.”

    Will rubbed one of her arms. “I wish I’d known,” she said quietly.

    “It’s not your fault. They only found my body a week or two ago, and I’m labelled as a Jane Doe.”

    They were talking about it with a casual affect that had to be fake. I was trying to keep up, but the seriousness of it all was weighing on me more than I could describe. “Elena, you’re a Salt elemental?”

    “That’s what I said. That’s why I told this lot to give you space.”

    “Are there any other Salt elementals here?”

    Elena fell silent, then turned around to look at the rest of the mass of ghosts. They began talking among themselves, and I wondered if any of them had done the math. Ghosts could leave the place where their body was, but especially in the first few weeks and months after their death, it was hard. Gurjas was unusual in that respect, and it showed just how determined he’d been to get back to his wife that he hadn’t just wandered the Flats for a while.

    First, three people stepped forward. Then, with growing confusion, five. Confusion turned to anger as the five turned into seven, then eight.

    Eight, out of twenty.

    That was a pretty high number. But it still couldn’t be everybody. It was what I had to work with for now.

    Work. This is work. Get your shit together.

    “Do any of you remember how you died?”

    There was a scatter of exchanged looks. Elena in particular looked uncomfortable. Belatedly I realized that it was a sensitive question;  Johara’s death had been bad, sure, but I was asking a group of homeless folks, sex workers, and unclaimed victims what had happened to them. “I—We’re trying to catch somebody.”

    “What do you mean?” Elena asked.

    Oh boy. Oh boy, I’d been right. They didn’t know. “Um. Um, it looks like—” My mouth went dry.

    It’s okay. I can do it, came Will’s reassuring thought. I didn’t feel any less cowardly, but I nodded.

    “It looks like somebody’s killing Salts.”

    “What? What the fuck?” Elena’s mouth hung open, and she shook her head. “No. Nuh-uh. That’s suicidal. It—it must be chaos out there.”

    “It’s… not great. We’re making it work.”

    “And what happens when you can’t?” she shot back. “Jesus. How many people is this girl responsible for?”

    Responsible for? Kiera? Then – no, not the murderer. She meant me. She was asking how many people – how many other elementals – I was responsible for keeping stable.

    With a sudden rush of dizziness, I realized she was the first person who’d asked that.

    “We’re not—Elena, I swear. I’m not going to put her in harm’s way.”

    “You better not,” Elena seethed. “I love you, Will, but there’s plenty of issues in the elemental community without some freakshow picking us off—”

    “Elena,” I interrupted. “We don’t have a lot of time. Do you remember how you died?”

    She took a deep breath, calming down—a bit, anyway. “Not… as much as I should,” she admitted. “I mean, I knew there’d be some memory gaps. Almost nobody remembers their death, I don’t know why I thought mine’d be different—anyway, I think I was stabilizing somebody.”

    “It didn’t work?” Will asked, eyebrows knitting in instant concern.

    “I think it did, at least for a bit. I have no idea if it was them or somebody else, though. I don’t even remember what they looked like. I just remember what they asked me—” Elena’s voice faltered.

    “I think I’m broken,” came another voice.

    I stopped. Then I looked up at the group of Salts that had come out of the group. The one who had spoken was an older man, his hair long and braided. “That’s what he said. I think I’m broken. And then—” He frowned, but I could see the injuries—still fresh, his death—on his neck. A slash, like from a knife, deep in the junction of his shoulder and neck.

    I was feeling sick again.

    “Je souviens aussi,” said somebody else. “But, nothing else.”

    I hadn’t even known that ghosts didn’t remember their own deaths. Another thing nobody had ever told me. I supposed it had never occurred to Johara to bring it up  and Gurjas—aha. Gurjas would have assumed I knew. I was a pretty pathetic medium.

    “…I’m sorry,” I said, which was all I could think to say.

    Elena smiled sadly. “Just find out what happened. Because I don’t… I don’t think they meant it.”

    “Meant to, what, hurt you?” I asked, and Elena nodded –

    “That’s not what I remember,” said somebody else.

    “What do you remember?” I turned to who had spoken.

    This Salt was in maybe her 30s, with an undercut and—as I stared at her—different injuries. The others’ injuries had largely faded, but hers were so different from the older man’s and Gurjas’s that I wondered if we had two killers. The cuts were all over her body, staining her skinny jeans and white tank-top a darker grey, and entire pieces of her upper arms were—god, they were missing. Gurjas’s death looked almost like whatever the bladed version of a hit-and-run was—a single slash, maybe a second. Whoever – or whatever – had killed this girl had been an animal.

    “She was running away from somebody. She was scared, so scared, and all alone.”

    Something clicked in my head. “Do you remember what she looked like?” I demanded, more roughly than I meant to.

    “Teenager, long black hair. Real skinny. Weird eyes —I don’t remember the colour, but… off.” Her voice broke a little. “I hope she’s okay.” 

    A teenager, with long hair. It might be Kiera, but I couldn’t help but think about the missing girl. Jaylie, Gurjas had called her. I knew the two were connected – Kiera’s single-minded pursuit gave that much away – but I still didn’t know how or why.  

    “Do you remember—” I swallowed. “This one’s hard, I’m sorry. When did you…”

    “Die? September 15th.”

    Shit. Shit, shit, shit. She’d died weeks before Gurjas. The timeline made no sense. I glanced around, trying to piece the testimonies together. A killer, lashing out – with a knife? An apologetic murderer? That didn’t sound like Kiera.

    But if there were two people there…

    “Do you know her?” The Salt asked me, eyes searching my face.

    “I – I don’t, no. But somebody else does, and I think she’s safe.”

    “Oh, god. Oh, god, thank you. She was so scared.”

    Of course she was. Kiera was after her. And if she was an elemental – well, anybody would lose control, right? Of course she’d try to find Salt elementals.

    It still didn’t quite work. I wanted it to work; it was a good story, with Kiera as a villain and a helpless victim to protect. It was the phrase that was bothering me. I think I’m broken. It could be Jaylie. It might be Jaylie. There was no reason to think otherwise – and I filed that away in the back of my head, wondering why I was questioning it anyway.

    “You’ll make sure she’s okay, right?” the Salt asked me, desperation underlying her voice. She was wavering a little in the air, the bloodstains on her arms and clothes looking darker and darker all the time.

    “I will. I promise.” It was an easy promise to make. The upside was, wherever Gurjas had sent her, she was still there… as far as I knew.

    The Salt nodded. “…Good. I trust you.” She closed her eyes, a misty breath leaving her mouth. “I’m glad.” She began to fade, the edges of her hair becoming foggier and foggier as I watched. Then, slowly, she began to disappear.

    “Wait—wait, no, don’t—” I wanted to ask her to stay. But I knew what was happening—one of the few things I did know. Whatever else had been going on in her life, this was what had been tying her here. She’d died with a little girl on the run, afraid that she was the only one who knew that somebody was in trouble. Even the promise that somebody else was looking out for her…

    I trust you.

    My eyes began to sting. Stop it. I had work to do. But I couldn’t stop staring at the place where she’d been. It had happened so quickly. Was it so simple? Answer the right question. Make the right promise.

    Suddenly, Will grabbed my shoulders, cutting into my reverie. “Jamal,” she hissed. “We gotta go.”

    “What? What is it?”

    “I found the camera. Or I suppose, it found us.”

    <–Previous Chapter                                                                                                 Next Chapter –>

  • Review: Girl with the Red Balloon

    August 29th, 2019

    After seeing it on my timeline consistently, I finally got the chance to take Katherine Locke’s The Girl with the Red Balloon out of the library. As somebody reconnecting with a Jewish heritage I never got to learn about, I was pretty excited, but I didn’t know much about what to expect. What I got was haunting, gorgeous historical fiction exploring a period of history not often dwelled on in North American schools.

    The Girl With The Red Balloon follows Ellie Baum, an American in Germany on a school trip, as she grabs a red balloon drifting in a park – and is hurtled into the past. Specifically, into East Berlin during the 1960s, where she is immediately a refugee – and a problem for the Balloonmakers, the magician-scientists who use enchanted balloons to lift escapees over the Berlin Wall. What follows is a mix of intrigue, science fiction and urban fantasy, with Soviet Union-era East Berlin not just as a backdrop but an intrinsic part of the story.

    I think my absolute favourite part of this book is how it engages with Ellie and Kai’s backgrounds. Kai is Romanichal – and let me tell you, I didn’t know about that bit of representation and I YELLED – and trying to protect his little sister, and Ellie is the grandchild of a Jewish Holocaust survivor. Neither of these are there just for flavor(although incidental representation is an important topic) but have everything to do with the novel’s central themes of history and survivor’s guilt. I can’t discuss exactly what bites so hard about the novel’s ending without spoiling it, but it also touches on one of my pet causes – empathy as a weapon, or as something that can damage and hurt, instead of as a universal good.

    The one part I was less convinced by was the central romance, but as I’ve noticed with a lot of my reviews, it takes a lot for me to get involved with any romance, so it’s hard to tell how much of this is personal preference and how much of it is  the romance itself. I feel like the book would have worked just fine without it, but it isn’t distractingly mushy either – it’s just not what I came away from the book remembering.

    Back to the Romani rep for a moment – I will admit I’m not sure how I feel about Sabina, Kai’s sister. She’s gifted with powerful magic that makes her a little bit loopy and disconnected, and while I don’t think I mind that on its own, a few of her moments lean a little close to the ‘Romani witch/fortune-teller’ stereotype. Not enough to hit, but enough to make me flinch. Still, I’m so unused to Romani rep showing up unexpectedly that it’s a small gripe, and I’m putting it here mostly as a heads-up to other Romani folks who might be caught off-guard by it.

    Trigger warnings for The Girl With The Red Balloon include Holocaust depictions, mass murder, authoritarianism, and some background homophobia and racism.

  • New Music: July

    August 20th, 2019

    July was an awesome month for new music, and picking only ten for this list was really, really hard. Both Of Monsters and Men’s Fever Dream and Sum 41’s Order in Decline dropped this month (I touched on some of the early singles in my previous month’s collection of new music) and they’re both amazing listening experiences.

    This month, Tegan and Sara, Lacuna Coil, Lil Nas X and Lindsey Stirling all had new singles coming out at the same time as smaller acts like sonderlands, Neuroticfish and Grizfolk. Below are my top ten releases from this month, not listed in any particular order, and from an assortment of genres.

    1. I’ll Be Back Someday – Tegan and Sara

    (Epilepsy/flashing light warning for the video.)

    The first single from their upcoming album composed of songs they wrote in high school, ‘I’ll Be Back Someday’ is a grunge-pop anthem about a collapsing friendship. It’s catchy and emotionally raw, and uses more guitar and traditional instrumentation than the sisters’ other recent music. The winner, however, are definitely the lyrics. They’re simple, as to be expected from high school compositions, but that simplicity is what makes them so powerful. “To the end, my friend, what a lie, if I could pretend, if I could lie – but I can’t say, but I can’t stay.”

    2. Song of Psyche – iamthemorning

    iamthemorning is known for their unearthly chamber-pop, and Song of Psyche follows in that tradition while expanding on their Kate Bush and Dead Can Dance influences. Song of Psyche is equal parts relaxing and slightly unsettling, with fairytale lyrics and soft background music that complements Marjana Semkina’s voice. The prog rock influences are less obvious here than elsewhere, but still very much present in the lyrical structure and the slow build of the instruments.

    3. Layers of Time – Lacuna Coil

    Symphonic metal bands, particularly with ‘beauty and the beast’ vocals, have a noted tendency to get softer and/or more radio friendly over time. Lacuna Coil, while they were never particularly ‘soft’ to begin with, buck this trend by getting harder and edgier with every album. ‘Layers of Time’ has an absolute perfect blend of Cristina Scabbia’s ghostly soprano mixed with Andrea Ferro’s death metal growls. I’ve said it before, and I’ll say it again: nobody pulls off beauty and the beast vocals like Lacuna Coil. (It doesn’t hurt that Cristina Scabbia looks like Hela from Thor: Ragnarok in the video.)

    4. Godless – Banks

    https://www.youtube.com/watch?v=yWbLQfM2Poc

    Banks is part of a very specific subgenre of singer-songwriters; the offbeat, quirky and artfully melancholic women who use their unique voices to create specific effects. Imogen Heap, fka Twigs, Regina Spektor, Mitski and Tori Amos all fall into this category, and Banks adds to her own considerable mystique as well as that of this subgenre with the haunting ‘Godless’. It’s in a lot of ways a fairly normal alt-pop song, but Banks’ voice and use of modulation tools brings it up to a different level. (The chorus, in particular, is gorgeous.)

    5. Keep Yourself Warm – Benjamin Gibbard

    When I started doing this column, I told myself – no covers, no remixes, no re-releases. Then, of course, Tiny Changes came out and made a liar of me. Alt-rock fans probably remember that a few years ago, Scott Hutchison of Frightened Rabbit died by suicide. This album is a tribute to him, made up of covers from their Midnight Organ Fight album. This is one of the best on there, a rendition of ‘Keep Yourself Warm’ by Benjamin Gibbard of Death Cab for Cutie. It’s the kind of thing I always wanted (but not like this! my heart!) and never dared to hope for. It’s slow and gorgeous, a cover in Gibbard’s style without changing or touching the core sadness and loneliness of the lyrics.

    6.  Forces of Nature – Eldar Ibrahimovic

    If you like Two Steps to Hell, E.S. Posthumus or video game soundtracks, check out Ledar Ibrahimovic for sure. This is my first time encountering his work, and ‘Forces of Nature’ is a beautifully constructed instrumental that sounds like it should be playing over an epic battle in Game of Thrones or Lord of the Rings. I particularly like that it doesn’t sacrifice musical cohesiveness for intensity – every piece of the song works together and every instrument has a place.

    7. All There Is – Dirt Poor Robins

    This is my first time hearing of the Dirt Poor Robins and I’m honestly startled. I love this song on every level – the melody and instrumentation, the themes of the lyrics – and given how long I’ve been a fan of Imogen Heap and The Dresden Dolls, I wish they’d crossed my radar before now. The best way I can describe their sound is if Dresden Dolls was a little less goth Weimar republic and a little more folk-influenced. It’s theatrical without being overwhelming, and with a sincerity that’s impossible to fake.

    8. the question is a truth – sonderlands

    This is a simple little piano song, lo-fi to its core, from an artist with 3 singles on their Spotify and less than 1000 followers. It’s soft and weirdly enchanting, and it’s hard to describe exactly why I like it so much, but I do. It kind of reminds me of the background music in puzzle games like Cube Escape, just that little bit eerie.

    9. LET’S GO CRAZY – the one and only PPL MVR

    Okay, I don’t really know where to start with this one. I guess the first thing to say about PPL MVR is that they’re three yetis in a band. Yes, they’re one of those strange anonymous costumed bands, which means they’re weird. Their music is somewhere between heavy techno and metal and I – I love it, honestly. It’s sort of a wedding between Mindless Self-Indulgence, Hollywood Undead and Black Sabbath.

    10. Crowded Table – The Highwomen

    The Highwomen are a country supergroup made up of Brandi Carlile, Maren Morris, Amanda Shires and Natalie Hemby – all amazing artists in their own right. I’m not somebody who listens to a lot of country, but my first music love was Irish folk and there’s a lot of that influencing the song ‘Crowded Table’. It’s a song about community support and love, and it has a sweetness to it that I’m familiar with from the other work of these women, but it’s all the stronger here.

     

←Previous Page
1 … 44 45 46 47 48 … 62
Next Page→

Start a Blog at WordPress.com.

 

Loading Comments...
 

    • Subscribe Subscribed
      • Elliott Dunstan
      • Join 167 other subscribers
      • Already have a WordPress.com account? Log in now.
      • Elliott Dunstan
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar