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Elliott Dunstan

  • Home
  • Contact
  • About Me
    • Publications
    • Books
  • Bell, Clock and Candle (Elessa)
    • The Nowhere Bird (Bell, Clock and Candle #1)
  • ALKIMIA FABLES
  • Ghosts in Quicksilver: Chapter Thirteen: Chasing the Threads

    July 1st, 2018

     

    chapter thirteen cover image

    TW: past implied mentalism/mental ableism, paranoia, unreality, CSA reference, racism

    I wasn’t upset. Of course. Just—resigned, was the word, I guess. I stuffed the phone back into my pocket, cleared my throat, and gave Nathan the closest thing to a warm smile I had.

    Nathan returned it, a lot more genuinely than I’d expected, although I could still see the nervousness flashing around his acne-scarred face. “Uh, so this second part to the roommate interview—”

    “Yeah?”

    “Is there actually any chance of you not letting me move in? Cause I kind of already told my parents I wasn’t coming back.”

    I flapped my hand at him. “You’re fine.” I shoved most of my resumes at him, plucking one off the top. “Hold these.”

    “Uh, sure. Where are we going?”

    “Anywhere that looks likely to hire a brown kid with a nice smile and no high school diploma.”

    Nathan gave me what he probably thought was an encouraging smile. “You know, I was really hoping ‘private investigator’ meant ‘steady income.’”

    “Then you’ve proved decades of dumb blonde jokes correct.” I raised an eyebrow as he looked a little like he was going to faint. “Don’t worry, I have money.”

    “D-do I want to ask?”

    “I did paperwork for a dying lady for two years.”

    “What happened?”

    “She died, genius.”

    He nodded consideringly. “That would explain why your resume says—uh, what is that? Geriatric care?”

    “…I’m stretching the truth.”

    Nathan sighed, but left it at that. First stop, McDonald’s. He behaved, surprisingly enough, while I started my usual pitch to the bored, greasy-haired cashier—

    —and got shut down a minute in with “Apply online.”

    Well. Fine.

    “You know most of them are going to tell you that,” Nathan said quietly on the way out.

    “Shut up. I already did. You think anybody with the name Jamal is going to get past any of the upper management?”

    “I mean, you never know,” he started, then drifted off into awkward silence.

    “Yeah. That’s what I thought, Nathan.” I glared at the offending resume, then sighed. What was the point of spending so much energy trying to solve weird twisty paranormal mysteries if freakin’ McDonald’s wouldn’t even look at my resume because I didn’t have a white enough name? Yeah, yeah, I know. Percentages. Just, I’d applied at twenty other places as well.

    Well, there were at least another twenty in walking distance.

    “Tie up your shoes. We’ve got a while to go.”

    ——

    By the time I managed to run out of resumes—many of which I pawned off on overtired cashiers who lacked the strength of personality or resistance to charisma to actually say no—we were so far down Wellington that my feet hurt just thinking about the walk back. (In fact, so far down that it had turned into Richmond Road. Who the hell designed this city?) So when Nathan sat down at the Whispers Pub patio with a flop and offered to buy a plate of nachos, I couldn’t quite bring myself to say no.

    As it turned out, I didn’t mind him. I mean, socializing was still painful. I’d found myself pretending to reread my resume or my notepad a couple of times on the way down, dreading having to make small talk. But he was happy to fill the gap with looseleaf chatter, not too densely, just a few comments here and there about his first job, friends of friends he’d known and their attempts to get hired or fired at fast food chains and coffeeshops and factories—it had the nice bonus that I knew more about him than he knew about me. I loved Jo, but she was a little too prone to uncomfortable truths about me, and I’d had a couple too many of those lately. Nathan was so comfortably detached from everything paranormal.

    “So how do you do private investigation-y stuff anyway?”

    I sipped on my iced tea. “Mostly by knowing how to use a computer. You’d be surprised what being a millennial will get you.”

    “Are we even millennials anymore?” he mused. “I think we’re technically the next one.”

    “Depends. When were you born?”

    “Ninety-seven.”

    “Then you’re good. As long as it’s before the new millennium.”

    “I thought the cut-off was ninety-four.” Then Nathan paused. “Wait, how old are you?”

    I dodged the question. The follow-up question was always ‘why aren’t you in school’ and I hated that question. “I use deep-web stuff sometimes, but a lot of it is just plugins and knowing what I’m doing. And charisma.”

    “Huh. Okay.” Beat. “I feel like asking too many questions is a bad idea.”

    “Probably. What about you? Dreams, aspirations, nightmares?”

    “Being able to eat gluten,” he said morosely, staring at the menu. “Corn chips, cheese and vegetables are usually safe.”

    “Okay, so no covering the kitchen in flour.”

    He cast me a bitter look, or rather, what was probably intended to be one. On his round-cheeked face it looked a bit more like a pouting chipmunk.

    “Joking.”

    “Good.”

    I stirred the ice in my drink around with a straw, smiling a little despite myself. Who was I turning into? A night hanging out with a beautiful, mysterious woman and now, getting drinks with my roommate. It was almost like I could be normal. Almost like I wasn’t some sort of weird bridge between the living and the dead.

    That brought me to my next problem. I had to tell Nathan something.

    “So…um…”

    Nathan slurped on his Coke. “Yeah?”

    Wording. Wording was important. “About roommate stuff.”

    “Do you sleepwalk?”

    “What? No.” I paused. “At least, I don’t think so.” Johara would have told me if I did, but after the last few days I liked to leave room for the unexpected.

    “Oh, good. My dad sleepwalks. It’s really awkward, especially ‘cause he sleeps naked—”

    “I don’t sleepwalk,” I interrupted. “I just, uh. Talk to myself a lot.”

    He nodded, mouth still wrapped around his straw. Then he made a considering expression. “…Like, thinking out loud? Or, uh, voices in the walls kind of thing?”

    “Thinking out loud.” Not entirely true, but I’d gotten threatened with the mental ward before. Just because he seemed nice so far didn’t mean I was willing to push it.

    “Yeah, that’s fine. Just keep it down. As long as you do the dishes, I’m fine.” Nathan finished his drink, then winced. “I’ll be right back. Washroom.”

    “Sure.”

    Once he was away from the table, I pulled out Will’s phone. The text had erased itself, and I made a note to myself to research whatever app they were using, but the contact was still there. I debated texting something back, but without any previous messages, I couldn’t pretend to be Will with any degree of accuracy.

    Something else occurred to me, though. I flipped to a new page of my pad and chewed on the tip of my pen. The thing was, I couldn’t remember if it’d been me or Jo, but we’d mentioned Mrs. Chaudhury by name the first time we’d met Will. It had taken seeing his picture for Will to fess up to knowing him. Maybe she’d been lying, and especially after the message from Ophis I had to consider that possibility. But—

    But then there was the girl.

    I had to go back a few pages to find it. The ghost on LeBreton flats had seen the girl with Gurjas—the girl that nobody else seemed to know about. I didn’t know who I was looking for, or if I was looking for another body, another ghost or a missing kid. I just knew that there’d been another person there when he died, and nobody else seemed to have any idea. Shapeshifters existed. That complicated things. She could be anybody – but if she’d seen Gurjas’s murder, and she was alive and around, why hadn’t she said anything? Had she killed him?

    And then there was every possibility that she and Kiera were the same person. But I doubted that, for some reason. ‘Not white’, the ghost had said. That didn’t narrow things down much, and it wasn’t like I knew much about Kiera yet. But the self-assured, preening white woman I’d met on Lebreton Flats didn’t strike me as the type to be a young Black or Asian or Latina kid running scared from the scene of a crime. God, I wished the ghost had been more specific. Dead people didn’t have the greatest memory for details.

    Okay, well, I had a possible extra factor in the case, but no information otherwise. I shifted back to what had been bugging me. Gurjas had been hiding something. Will and Avery recognized Gurjas – not the name Chaudhury. He’d been using a fake name, at least for his last name. Whatever else he’d been mixed up in, he’d been keeping his wife and kids out of it.

    I groaned and let my head slump down onto the table. I was still missing too many pieces. As much as I was skeptical of any grown man’s intentions, Gurjas didn’t strike me as the abductor creep type.

    “Aw, don’t stress yourself out.”

    A chill ran down my spine. I lifted my head.

    Nathan was sitting in his chair again, leaning on his arms on the table with a casual grin on his face. He was the most relaxed I’d ever seen him—I’d never seen him not picking at his hair or his arm, or nervously scratching at the backs of his hands.

    Which meant—

    “I figured you’d show up again sooner or later,” I mumbled.

    Nathan’s face split into a wide smile, and green eyes sparkled from his broad face, under his rumpled blond hair.

    <– Chapter 1.12                                                                                                     Chapter 1.14 –>

  • Review: CONSUMED by David Cronenberg

    June 26th, 2018

    David Cronenberg’s debut novel Consumed is… weird. Not bad-weird and not quite good-weird either; like his famous movies, Consumed is a trip through a rabbit-hole of paranoia, conflicting truths, and a conspiracy theory that by the end of things seems to involve North Korea and spell doom for the two main journalists.

    I’ll be honest. Consumed, as a novel trying to tell a story, isn’t great. It’s a lot of various horrifying ideas all pulled together and not quite connecting, written in absolutely gorgeous and chilling prose – but it ends just before the conclusion that readers have been working towards, and the conspiracy theory it orients itself around gets to the point of disbelief. That being said, the ideas and images in the book are powerful. Cronenberg connects seemingly disparate images into a set of metaphors, and pulls you down into the depravity involved. It’d be a much better book if it had an ending, but I suppose that’s where imagination comes in.

    Ultimately, Consumed functions more as a series of vignettes and thought streams than a cohesive novel. If that’s the kind of thing that interests you, go for it! But don’t expect a narrative that entirely makes sense.

    However, I wouldn’t be doing my job as a reviewer if I didn’t make sure to put a MASSIVE content warning on this book. I mean, it’s Cronenberg, so one can assume a certain level of body horror anyway, but it’s about cannibalism, literally (and figuratively) consuming a woman’s body, and a weirdly high amount of sex scenes. There are also some slightly twitchy moments in regards to the Tokyo setting and Japanese culture in general.

  • CONSUMED – Cronenberg – Chapter One Thoughts

    June 25th, 2018

    I’m a big believer that if a book hasn’t hooked you by Chapter One, there’s no hope. Obviously there’s some wiggle room for the books with super short chapters, but that’s my guideline. So as I read Chapter One of Cronenberg’s debut novel Consumed, I want to share my thoughts before my eventual review.

    One of the first things that stands out to me is how much the book owes to Cronenberg’s long career as a movie director. The book starts off as a love letter to photography; Nathan is taking pictures of a cancer surgery and discussions of camera lenses and zoom quality are a large part of the narrative. Naomi’s part of the chapter, on the other hand, is more directly a tribute to video camera, and Cronenberg’s writing style focuses so much on the visual that it’s hard not to watch it animate in front of your face.

    Things haven’t gotten too freaky yet, but already in the first chapter is the chilling assertion that the murder of the famous woman was “a mercy-killing. She asked him to kill her, and so he did. And then, of course, he ate her.”

    Damn, Cronenberg.

    More to follow as I read the rest of the book!

  • INTERVIEW: Melissa Capriglione and Clara W. on Falconhyrste [LINK]

    June 8th, 2018

    Webcomics come in all colors, and Melissa Capriglione and Clara W.’s collaboration project Falconhyrste is a dazzling array of them. From bright blues and pinks to a diverse set of skin tones and vibrant expressions, the fantasy webcomic makes a point of popping off the page.

    Falconhyrste (started in 2015) follows a young trans boy Cei in his first year of a bizarre boarding school. After a spooky experience in the woods that leaves him half-conscious, a strange girl walks out of the forest and announces that she’s a new student. But who is she, and what is up with the spooky forest and weird school anyway?

    I sat down with Melissa Capriglione with some questions about the comic! Read the full interview on Monkeys Fighting Robots here.

  • Five Songs On Spotify You’ve Probably Never Heard

    June 8th, 2018

    I spend a lot of time finding weird music. In fact I’ve been doing it for longer than Spotify’s been around – but there’s a particular joy to seeing just how few people listen to particular songs and artists on Spotify.

    Here’s a few of my favourite little gems that I’ve found while trawling Spotify and other music sites. They vary immensely by genre, and many of them don’t even have publicly available lyrics or band information. Still, it’s a little bit of fun.

    1. Actors by Seven Ages

    A significant amount of this album, I’ll admit, is standard less-than-inspired metalcore/screamo. It’s an obvious debut effort with some interesting mix choices…

    And then there’s this track: https://open.spotify.com/track/02mgIeYTVvszHfa1Vhi4At?si=c4RbrwJiTMWlMN3JlO2qWA

    I can’t pin down exactly why I like Actors so much. Is it the raw emotions in the screaming mixed with the breakdown chords in the back? Or is it the lyrics, which I’ve only ever found once but never forgotten? Probably a mix of everything.

    I’ve provided the full lyrics below, because they’re so hard to find – and to hear!

    So take off your mask and show me your teeth
    Today is beginning for me
    So take off your mask and show me your teeth
    Today is beginning for me

    I will approach the world
    For I am done waiting for this

    This mask was made to fit your face
    For today has begun for me
    No lies dear
    Shall we trip and choke on all your lies
    Are you ready for this life?

    I will approach the world
    For I am done waiting for this

    So take off your mask and show me your teeth
    Today is beginning for me…

    It also ends with one of my FAVOURITE instrumental breakdowns I’ve ever heard.

    Seven Ages, if you’re still out there…. call me.

    2. Some Say by Megan Heise

    In an almost complete reversal, Megan Heise’s soft emo-pop song Some Say is one of those sweet heartbreak lullabies that I wish had made it onto the radio waves. Somewhere between Death Cab for Cutie’s I Will Follow You Into The Dark and Plain White T’s Hey There Delilah, it’s the kind of song that Grey’s Anatomy would have made famous about five years ago.

    Heise originally released this song on her MySpace account, where it accrued a decent amount of hits. However, on Spotify, it’s languished a little in relative obscurity. It’s gotten 2,000+ hits, which is more than some, but Heise has only 9 monthly listeners, probably due in part to the fact that she doesn’t seem likely to put any of her other songs on Spotify.

    I’m just a sad little heart
    Beating alone in the dark
    Waiting for the day that I can forget your face
    Love’s making a fool out of me
    It’s not how it’s supposed to be, oh no

    See? I got sad just reading that! Eat your heart out, Conor Oberst.

    3. Believing In (Awaken on the Run) by the Goodluck Assembly

    Continuing the sappy indie rock trend, the Goodluck Assembly are a Canadian outfit that I got a CD of at some point and really can’t remember when. All I know is that they’re fun, a little strange, and that kind of earnestly positive that you listen to on days when you want to stick your head out of the window like a happy little cocker spaniel.

    Don’t believe me? Check out one of their songs here: https://open.spotify.com/track/2ZLJrCxVwKwmlAAGvgRadL?si=Qu_0Fk6rQyu4gF-uCSHBvA

    It’s like pure, distilled nostalgia and it’s not even ten years old. That takes skill, my friend. Of course, it’s not for everybody. For some people, that level of sap is a Bit Much. But that’s where the next few entries come in.

    4. Shattered Dreams by Raphael Weinroth-Browne

    How does one characterize Raphael Weinroth-Browne? Well, you don’t, for one. There’s very few cellists alive today who can make a cello sound like the most metal instrument in the world, and he makes Apocalyptica sound like a bunch of try-hards.

    Basically, if you love the wedding of prog-metal and classical, you’ll love Raphael. Check out Shattered Dreams here: https://open.spotify.com/track/7FPjnBYjzDYYdygXN2sqiI?si=vVzyGq9nQ2-ZsygbML3AwQ

    Unfortunately, like so many other underappreciated artists, Raphael is Canadian, which means that getting heard and discovered is a chore. The upside is, he’s a currently active artist. So what are you waiting for? Go, listen to him, go see him in concert if you can! Because. Damn.

    5. Bright Lights by Yonder Hill

    …Okay, OKAY! One more drastic genre swerve and then I’m done!

    But, listen, bluegrass is criminally underrated. Yeah, there’s a lot of wailing banjos and weird country whiners out there. But Yonder Hill is another band I encountered live – a couple lasses from Montreal, harmonizing over gentle banjos (yes, I get it, everybody hates banjos, but just listen-) about lost love, self-identity, and a little bit of regret. They only released the one album in 2008, and to this day I’ve never encountered them anywhere else.

    So imagine the utter sound of glee when I found their album on Spotify, including my favourite song Bright Lights here: https://open.spotify.com/track/0cNPWooSDuUV6lk9hTVcpO?si=VriCgRbxRieISPCYapbtQg

    We don’t need the bright lights tonight
    The honky-tonk angels can wait on the side
    We don’t need to make all the memories fade
    We don’t need the bright lights tonight…
    The drinking causes shame, and the struggles cause pain –
    we don’t need the bright lights tonight.

    Venture out of your comfort zone, and give Yonder Hill a shot tonight. I guarantee that even if’s just for a one-time listen, you won’t regret it.

    That’s my five little treasures for you – there’ll be more, I’m sure. And if you find some jewels with less than 200 listeners or 1000 listens, send them my way. I’m willing to listen to anything, and I’m always curious. You know what they say. “Curiosity killed the cat… but good indie music brought it back.”

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